Earth and Space News: 200th Anniversary Year of Ajanta Cave Wall Paintings: Ajanta Cave 27

Summary: The 200th anniversary year of Ajanta cave wall paintings and sculptures in west India addresses ambient stress in abandoned, adjunct Ajanta cave 27.

exterior view of two levels of Ajanta Cave 27, an unfinished vihara (monastery) cave, next to elaborately sculpted Ajanta Cave 26 (right); Ajanta Caves, Maharashtra, central-west India; Wikimedia Commons-created page via UploadWizard Monday, Sep. 5, 2016: Anupamg, CC BY SA 4.0 International, via Wikimedia Commons

The 200th anniversary year of Ajanta cave wall paintings and sculptures, European-accessed since April 28, 1819, in central-west India associates abandoned, adjunct Ajanta cave 27 with ancient ambient stresses and modern traffic.

Itinerant artisans and monks built Ajanta cave 27 between chaitya (memorial monument, from Sanskrit चैत्य) prayer hall 26 and vihara (from Sanskrit विहार, "walking [hall]") 28. They connected Ajanta cave 26 and Ajanta cave 27 even though second-phase, 1,300- to 1,600-year-old monastery caves and prayer halls contained separate devotional, instructional, meditational shrines. First-phase, shrineless, 2,000- to 2,300-year-old monastery caves 8, 12, 13 and 15A/30 depended upon chaitya caves 9 and 10 from the third through first centuries B.C.E.

The 200th anniversary year of Ajanta cave wall paintings and sculptures in Maharashtra state espies rare exceptions to no entry into or exit from cave sidewalls.

First-phase Ajanta (from Sanskrit अजित, "invincible") vihara monastery caves feature fundamental floor plans of assembly halls to dormitory cells for resident and seasonal laity and monastics.

The Sangha (from Sanskrit संघ, "multitude") lay and monastic community goes to chaitya prayer halls for devotional, instructional, meditational Ajanta cave wall paintings, sculptures and shrines. Not all second-phase monastery caves before chaitya cave 9 and between chaitya caves 10 and 19, 19 and 26 and 26 and 29 have separate shrines. Ajanta cave 27 is interconnected to westerly 83.14- by 37.79-foot (25.34- by 11.52-meter) Ajanta chaitya prayer hall 26 and independent of easterly, fellow monastery cave 28.

No sidewall entrances or exits join other monasteries, apart cave 18, from first-phase chaitya caves 9 and 10 or second-phase prayer halls 19, 26 and 29.

Ajanta cave 26 keeps its 1,300- to 1,600-year-old status as biggest prayer hall in the 200th anniversary year of European-accessed Ajanta cave wall paintings and sculptures.

Ajanta caves 1, 3, 6, 7, 9 through 13, 15, 16, 18 through 21 and 23 lack the geological faults that lead to abandoned, collapsed caves. Two-story Ajanta cave 27 manifests one antechamber, one hall, one sanctum sanctorum (from Latin sanctum sanctōrum, from Hebrew קֹדֶשׁ הַקֳּדָשִׁים, "holy of holies") and four cells. It nets a porch door like the lavish Ajanta cave 2 doorway and a sculpted Hindu mythological naga dvarapala (from Sanskrit नाग, "serpent" and द्वारपाला, "gatekeeper").

Ajanta cave 27 offers the 200th anniversary year a sculpted Gautama Buddha (from Sanskrit गोतम, "light [dispels] darkness" and बुद्ध, "awakened") teaching his Noble Eightfold Path.

United Nations Educational, Scientific and Cultural Organization (UNESCO) World Heritage Centre (WHC) site reviews pertain to Ajanta cave wall paintings and sculptures, WHC site since 1983.

The WHC review December 2002 questions ambient stress and flaking paint from bat excrement, fungal growth, human humidity, insect decomposition and water-bearing tree roots penetrating caves. Second-phase itinerant artisans and monks, less experienced than first-phase, realized Ajanta cave 27, from the top downward and sideward, between the fifth and eighth centuries C.E. The semi-collapsed upper level of Ajanta cave 27 suggests ambient stress from bat and insect stayovers and structural shortcomings of volcanic rock basalt with geological faults.

Tourism triggers worldwide name recognition for European-accessed Ajanta cave wall paintings and sculptures, even for those in traumatized Ajanta cave 27, in their 200th anniversary year.

Acknowledgment

My special thanks to talented artists and photographers/concerned organizations who make their fine images available on the internet.

Image credits:

exterior view of two levels of Ajanta Cave 27 (left), next to intricately sculpted Cave 26 (right); Ajanta Caves, Maharashtra, central-west India; Tuesday, July 29, 2014, 13:45: Akshatha Inamdar, CC BY SA 4.0 International, via Wikimedia Commons @ https://commons.wikimedia.org/wiki/File:Ajanta_Caves,_Aurangabad_t-118.jpg

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Earth and Space News

Friday, November 22, 2019

200th Anniversary Year of Ajanta Cave Wall Paintings: Ajanta Cave 27

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