Tuesday, January 31, 2023

Biscuits, Burgers, Chips, Dried Fish Appeal to Police in Blackout


Summary: Biscuits, burgers, chips, dried fish appeal to police in Blackout, anglicized from Myrknætti, third thriller in the Dark Iceland sextet by Ragnar Jónasson.


Stockfish, as cold air- and wind-dried unsalted fish, appeals as a healthy snack to Ari Thór Arason (“eagle thunder eagle’s son”). Ari Thór appreciates stockfish as harðfiskur (Romanized hardfiskur, dried fish, “hard fish” literally). He avails himself of ocean catfish, of which three species are accessible to Icelandic fishermen: Atlantic (Anarhichas lupus), northern (A. denticulatus) and spotted (A. minor); 2005 image of stockfish drying in Iceland: Chris 73 / Wikimedia Commons, CC BY SA 3.0 Unported, via Wikimedia Commons

Biscuits, burgers, chips, dried fish appeal to policemen in Blackout, anglicized from Myrknætti (Romanized Myrknaetti, “dark night), third thriller in the Dark Iceland sextet about Ari Thór Arason by author Ragnar Jónasson.
The third thriller begins with policeman Ari Thór Arason (“eagle thunder eagle’s son”) browsing downtown Siglufjörður’s (Romanized Siglufjördur, “mast, sailing fjord”) fish shop and town-center bakery. Ari Thór chooses not to consume either chocolate comestibles or cinnamon buns called hnútar (“twist") in Siglufjördur Icelandic but snúður (Romanized snúdur, “twist”) in Reykjavík Icelandic. He decides upon ocean catfish as harðfiskur (Romanized hardfiskur, dried fish, “hard fish” literally) snacks even as he does not disdain the police station’s chocolate biscuits.
Hlynur (“maple tree [Acer spp]”), as Ari Thór’s co-worker, and Tómas (“twin”), as Ari Thór’s superior, eat chocolate biscuits with their coffee at Siglufjördur police station.

Ari Thór finishes station biscuits and coffee when he finds himself, for case follow-up, with Akureyri (“sandbank field”) Criminal Investigation Division (CID) Senior Detective Helga (“holy”).
Officer Arason goes without when Jónína (“dove”), historian Bjarki’s (“bearcub”) neighbor and Jóhann’s (“god is gracious”) wife, gets biscuits and coffee together at his visit’s end. Nobody else has chocolate biscuits even as Ari Thór’s ex-girlfriend, Kristín (“Christ-bearer”), and her friend have hot chocolate, cream and apple pie on their first date. Ari Thór invokes Christmas apples that he identifies with his mother, an Icelandic Symphony Orchestra violinist, and he perhaps ingested with Christmas chocolates and hot chocolate.
Perhaps Ari Thór and Tómas in Blackout, anglicized from Myrknætti, jubilate with burgers, chips and dried-fish sandwiches, journeying from Siglufjördur chocolate biscuits to similar Akureyri-station fare.

A possible television interview by Ísrún (“ice secret”) kindles bestest coffee and chocolate rum cake, not chocolate biscuits, with retired dentist Nóra (“north”?) Pálsdóttir (“humble's daughter”).
Perhaps Reykjavík (“smoky bay”) newscaster Ísrún, like Ari Thór loving most black tea and dried catfish, instead likes cappuccino (“brown-red[-colored Capuchin monk cowl]”) and fish-market halibut. A fish restaurant for their second date and haddock dinner Monday evenings respectively mean that fish mealtimes matter to Kristín and her friend and to Hlynur. Soupy lunches every day and fishy dinners Monday through Thursday nourish disgraced doctor Ríkharður (Romanized Ríkhardur, “empire [or] kingdom strong”) Lindgren (“linden [tree, Tilia spp] branch”).
Ríkhardur in Blackout, anglicized from Myrknætti, obtains beef mince Fridays; chicken Saturdays; lamb Sundays; biscuits, burgers, chips never; dried fish perhaps some weeks, fresh fish others.

Pudding, rice, soup, spiced chicken please contractor Elías (“my god Yahwe”) Freysson (“lord’s son”) even as Kristín prepares greens, potatoes, roast for her friend and herself.
Kristín quests coffee with Natan (“[god] has given”), Akureyri university student and Ari Thór’s and her mutual friend, and red wine with cheeses with her friend. Nóra retains coffee, red and white wines even as Elías reaches for beer, with which foreman Hákon (“horse clan”?) perhaps rewards himself away from coffeehouse refills. Jónatan (“Yahweh has given”), acquaintance from Elías’ farmhouse summers, serves himself milk and skyr (“separated [yogurt-like curdled milk]”) even as Móna shares milk with cousin Tómas.
Katrín in Blackout, anglicized from Myrknætti, treats friend Isbjörg’s (“ice helper”) granddaughter, Ísrún, to milk and biscuits, never to burgers, chips, dried fish that tempt policemen.

Tómas ("twin"), Ari Thór Arason's ("eagle thunder eagle's son") superior at Siglufjörður (Romanized Siglufjördur, “mast, sailing fjord”) police station, appreciates biscuits, burgers, chips, coffee. He approaches case-sharing trips to Akureyri ("sandbank field") police station as opportunities to avail himself of area burgers and chips and of station biscuits and coffee. Perhaps Metro fast food restaurant chain aspires to an Akureyri branch for burger- and chip-adoring aficionados ("fans") of burgers, chicken nuggets, desserts, fries, fruits, grilled chicken, milkshakes, mozzarella sticks, salads, soft drinks and wraps; Metro at Smáratorgi 5, Smárahverfi neighborhood, Kópavogur, Capital Region (south of Reykjavik), southwestern Iceland: Maria Magnea, Public Domain (CC0 1.0), via Wikimedia Commons

Acknowledgment
My special thanks to talented artists and photographers/concerned organizations who make their fine images available on the internet.

Image credits:
Stockfish, as cold air- and wind-dried unsalted fish, appeals as a healthy snack to Ari Thór Arason (“eagle thunder eagle’s son”). Ari Thór appreciates stockfish as harðfiskur (Romanized hardfiskur, dried fish, “hard fish” literally). He avails himself of ocean catfish, of which three species are accessible to Icelandic fishermen: Atlantic (Anarhichas lupus), northern (A. denticulatus) and spotted (A. minor); 2005 image of stockfish drying in Iceland: Chris 73 / Wikimedia Commons, CC BY SA 3.0 Unported, via Wikimedia Commons @ https://commons.wikimedia.org/wiki/File:Stockfisch_in_Iceland_2005.JPG
Tómas ("twin"), Ari Thór Arason's ("eagle thunder eagle's son") superior at Siglufjörður (Romanized Siglufjördur, “mast, sailing fjord”) police station, appreciates biscuits, burgers, chips, coffee. He approaches case-sharing trips to Akureyri ("sandbank field") police station as opportunities to avail himself of area burgers and chips and of station biscuits and coffee. Perhaps Metro fast food restaurant chain aspires to an Akureyri branch for burger- and chip-adoring aficionados ("fans") of burgers, chicken nuggets, desserts, fries, fruits, grilled chicken, milkshakes, mozzarella sticks, salads, soft drinks and wraps; Metro at Smáratorgi 5, Smárahverfi neighborhood, Kópavogur, Capital Region (south of Reykjavik), southwestern Iceland: Maria Magnea, Public Domain (CC0 1.0), via Wikimedia Commons @ https://commons.wikimedia.org/wiki/File:Metro_in_Iceland_on_2009.jpg

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Marriner, Derdriu. 14 June 2022. "Mistur, as The Mist, Appends Christmas Apples by Katrín Guðjónsdóttir." Earth and Space News. Friday.
Available @ https://earth-and-space-news.blogspot.com/2022/06/mistur-as-mist-appends-christmas-apples.html
Marriner, Derdriu. 7 June 2022. "Mistur, Anglicized The Mist, Accumulates Icelandic Names and Words." Earth and Space News. Friday.
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Marriner, Derdriu. 31 May 2022. "Hulda Ate Icelandic Food Christmas Eve in Mistur, Anglicized The Mist." Earth and Space News. Friday.
Available @ https://earth-and-space-news.blogspot.com/2022/05/hulda-ate-icelandic-food-christmas-eve.html
Marriner, Derdriu. 24 May 2022. "Mistur, Anglicized The Mist, Acknowledges Halldór Laxness at Christmas." Earth and Space News. Friday.
Available @ https://earth-and-space-news.blogspot.com/2022/05/mistur-anglicized-mist-acknowledges.html
Marriner, Derdriu. 17 May 2022. "Mistur, Anglicized as The Mist, Acquaints Us With Olaf Olafsson." Earth and Space News. Friday.
Available @ https://earth-and-space-news.blogspot.com/2022/05/mistur-anglicized-as-mist-acquaints-us.html
Marriner, Derdriu. 10 May 2022. "Accidental and Violent Deaths Aggrieve Mistur, Anglicized as The Mist." Earth and Space News. Friday.
Available @ https://earth-and-space-news.blogspot.com/2022/05/accidental-and-violent-deaths-aggrieve.html
Marriner, Derdriu. 3 May 2022. "Mistur, Anglicized as The Mist, Angles Ring Road Along Coastal Iceland." Earth and Space News. Friday.
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Marriner, Derdriu. 26 April 2022. "Drungi, Anglicized The Island, Accumulates Icelandic Names and Words." Earth and Space News. Friday.
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Marriner, Derdriu. 19 April 2022. "Drungi, Anglicized The Island, Allows Icelandic Cuisine Takeout Pizza." Earth and Space News. Friday.
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Marriner, Derdriu. 12 April 2022. "Drungi, Anglicized as The Island, Acquaints Us With Bessastadir." Earth and Space News. Friday.
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Marriner, Derdriu. 5 April 2022. "Drungi, Anglicized as The Island, Asks What Einar Benediktsson Avers." Earth and Space News. Friday.
Available @ https://earth-and-space-news.blogspot.com/2022/04/drungi-anglicized-as-island-asks-what.html
Marriner, Derdriu. 29 March 2022. "Seven Deaths Afflict One Detective in Drungi, Anglicized as The Island." Earth and Space News. Friday.
Available @ https://earth-and-space-news.blogspot.com/2022/03/seven-deaths-afflict-one-detective-in.html
Marriner, Derdriu. 22 March 2022. "Fjords and Isles Are Accessible in Drungi, Anglicized as The Island." Earth and Space News. Friday.
Available @ https://earth-and-space-news.blogspot.com/2022/03/fjords-and-isles-are-accessible-in.html
Marriner, Derdriu. 15 March 2022. "Dimma, Anglicized The Darkness, Accumulates Icelandic Names and Words." Earth and Space News. Friday.
Available @ https://earth-and-space-news.blogspot.com/2022/03/dimma-anglicized-darkness-accumulates.html
Marriner, Derdriu. 8 March 2022. "Icelandic Cuisine Americanizes Dimma, Anglicized as The Darkness." Earth and Space News. Friday.
Available @ https://earth-and-space-news.blogspot.com/2022/03/icelandic-cuisine-americanizes-dimma.html
Marriner, Derdriu. 1 March 2022. "Dimma, Anglicized as The Darkness, Accesses Bishop Jón Vídalín For Us." Earth and Space News. Friday.
Available @ https://earth-and-space-news.blogspot.com/2022/03/dimma-anglicized-as-darkness-accesses.html
Marriner, Derdriu. 22 February 2022. "Dimma, Anglicized as The Darkness, Acquaints Us With Tomás Gudmundsson." Earth and Space News. Friday.
Available @ https://earth-and-space-news.blogspot.com/2022/02/dimma-anglicized-as-darkness-acquaints.html
Marriner, Derdriu. 15 February 2022. "Not All Are Accounted For in Dimma, Anglicized as The Darkness." Earth and Space News. Friday.
Available @ https://earth-and-space-news.blogspot.com/2022/02/not-all-are-accounted-for-in-dimma.html
Marriner, Derdriu. 8 February 2022. "Driving and Walking Tours Acquit Dimma, Anglicized as The Darkness." Earth and Space News. Friday.
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Monday, January 30, 2023

Macbeth Feb. 3, 1973, Broadcast Is Feb. 4, 2023, Saturday Broadcast


Summary: Macbeth Feb. 3, 1973, broadcast is Feb. 4, 2023, Saturday matinee broadcast, airing as eighth of the 2022-2023 season's 24 Saturday radio broadcasts.


1972-1973 season photo of Sherrill Milnes as Verdi's Macbeth by Met Opera official photographer Louis Melancon (Sep. 19, 1901-Aug. 10, 1974): Sherrill Milnes, via Facebook Nov. 18, 2021

Macbeth Feb. 3, 1973, broadcast is the Feb. 4, 2023, Saturday matinee broadcast, airing at 1:00 p.m., Eastern Time, as the eighth of the 2022-2023 Met Opera season's lineup of 24 Saturday matinee opera broadcasts.
Macbeth, the 10th opera by Italian opera composer Giuseppe Verdi (Oct. 10, 1813-Jan. 27, 1901), premiered Sunday, March 14, 1847, at Teatro della Pergola in Florence, capital of central Italy’s Tuscany region. Verdi composed Macbeth as the first of his three completed Shakespearean operas. The opera's Italian libretto was written largely by Italian librettist Francesco Maria Piave (May 18, 1810-March 5, 1876), with additional contributions by Italian poet and translator Andrea Maffei (April 19, 1798-Nov. 27, 1885). Piave and Maffei’s libretto was based upon the same-named play by Elizabethan playwright William Shakespeare (bapt. April 26, 1564-April 23, 1616), first printed in 1623 in Mr. William Shakespeare’s Comedies, Histories, & Tragedies, commonly referred to as the First Folio.
The Metropolitan Opera premiere of Verdi’s Macbeth was held Thursday, Feb. 5, 1959. The opera received seven performances during the 1958-1959 season.
In the 1972-1973 season, Macbeth received 17 performances. The first nine and closing, 17th performances, which were held at the Metropolitan Opera House, took place Thursday, Jan. 25; Wednesday, Jan. 31; Saturday matinee broadcast, Feb. 3; Wednesday, Feb. 7; Tuesday, Feb. 13; Saturday, Feb. 17; Friday, Feb. 23; Saturday, March 3; Monday, March 12; and June 4.
Macbeth's 10th through 16th performances participated in the opera company's 1972-1973 tour. The 10th through 16th performances took place, respectively, Friday, April 27, at Hynes Civic Auditorium in Boston, Massachusetts; Friday, May 4, in Ohio at the Cleveland Public Auditorium; Friday, May 11, in Georgia at the Atlanta Civic Center; Tuesday, May 15, in Memphis, Tennessee; Friday, May 18, at the State Fair Music Hall in Dallas, Texas; Monday, May 21, in Minneapolis, Minnesota; Thursday, May 31, in Detroit, Michigan.
Francesco Molinari-Pradelli conducted Macbeth in 16 of the season's 17 Macbeth performances. He held the baton in the first eight performances, including the Saturday, Feb. 3, broadcast, and also in the 10th through closing, 17th performances. The Bolognese Italian conductor had made his Met Opera debut Monday, Feb. 7, 1966, in the opera company's 92nd performance of Verdi's Un Ballo in Maschera.
Sherrill Milnes sang the title role of insecure, prophecy-dependent General, then King, Macbeth, in all 17 Macbeth performances, including the Saturday, Feb. 3, broadcast, in the 1972-1973 season. The American dramatic baritone had made his Met Opera debut Wednesday, Dec. 22, 1965, as Valentin in the opera company’s 594th performance of Faust by 19th century French composer Charles-François Gounod (June 17, 1818-Oct. 18, 1893).
Martina Arroyo sang ambitious, haunted Lady Macbeth in eight of the season's 17 Macbeth performances. She appeared in the first six performances, including the Saturday, Feb. 3, broadcast, and also in the 10th and 11th performances. The American operatic soprano had made her Met Opera debut Saturday, March 14, 1959, as the Celestial Voice in the opera company's 48th performance of Verdi's Don Carlo.
Ruggero Raimondi sang Banquo, Macbeth-ordered assassinee for witches' royal line-founder prophecy, in 13 of the season's 17 Macbeth performances. He appeared in the first seven performances, including the Saturday, Feb. 3, broadcast and also in the 10th through 14th and closing, 17th performances. The Italian bass-baritone had made his Met Opera debut Monday, Sep. 14, 1970, as Don Ruy Gomez de Silva in the opera company's 44th performance of Verdi's Ernani.
Franco Tagliavini sang Macduff, heroic, Macbeth-slaying thane ("baron"), in seven of the season's 17 Macbeth performances. He appeared in the first three performances, including the Saturday, Feb. 3, broadcast, and also in the fifth through eighth performances. The Italian operatic tenor had made his Met Opera debut Friday, March 27, 1970, as Pollione in the opera company's 70th performance of Norma by 19th-century Italian opera composer Vincenzo Bellini (Nov. 3, 1801-Sep. 23, 1835).
Rod MacWherter sang Malcolm, rightful King of Scotland as son of Lord and Lady Macbeth-assassinated King Duncan, in 12 of the season's 17 Macbeth performances. He appeared in the first nine performances, including the Saturday, Feb. 3, broadcast, and also in the 13th through 15th performances. The American tenor had made his Met Opera debut Thursday, Oct. 17, 1968, as the Captain in the opera company's 54th performance of Verdi's Simon Boccanegra.
The 1972-1973 season's production was under the direction of Carl Ebert (Feb. 20, 1887-May 14, 1980). The German-born opera director had made his Met Opera debut Thursday, Feb. 5, 1959, in the Metropolitan Opera premiere of Verdi's Macbeth.
Ebert's production team in the 1972-1973 season comprised Dutch stage director Bodo Igesz (Feb. 7, 1935-Dec. 25, 2014) as stage director and Austrian-German scenographer Caspar Neher (April 11, 1897-June 30, 1962) as designer. Bodo Igesz had made his Met Opera debut Sunday, April 19, 1964, in the opera company's 317th performance of Lucia di Lammermoor by Italian opera composer Gaetano Donizetti (Nov. 29, 1797-April 8, 1848). Caspar Neher had made his Met Opera debut Thursday, Feb. 5, 1959, in Macbeth's Metropolitan Opera premiere.
The 1972-1973 season's presentation of Ebert's production was staged as a "revised production." Revisions were created by American lighting, set and stage designer Neil Peter Jampolis (March 14, 1943-Dec. 15, 2019), who made his Met Opera debut in his position of "Projections and additional design." For his revision, ". . . Jampolis utilized elements from the previous production of Caspar Neher, adding sets costumes and projections," as noted in the Metropolitan Opera Archives Database (MetOpera Database) for the revised production's opening night, Thursday, Jan. 25, 1973, in the 1972-1973 season.
The 2022-2023 Met Opera season's lineup of Saturday matinee opera broadcasts pauses on Feb. 11. Instead of an opera, "Celebrating Franco Zeffirelli" broadcasts at 1:00 p.m. as a commemoration of ". . . the centenary of Franco Zeffirelli’s birth with a special presentation drawn from the company’s radio archives.
The 2022-2023 Met Opera season's Saturday matinee opera broadcasts resume one week later. Verdi’s Don Carlo airs Feb. 18 at 1:00 p.m. as the ninth of the season's lineup of 24 Saturday matinee opera broadcasts.

1972-1973 season photo of Sherrill Milnes as Verdi's Macbeth and Martina Arroyo as Lady Macbeth by Met Opera official photographer Louis Melancon (Sep. 19, 1901-Aug. 10, 1974); Sherrill Milnes sang Macbeth to Martina Arroyo's Lady Macbeth in eight, including the Saturday, Feb. 3, matinee broadcast, of the 1972-1973 season's 17 Macbeth performances; Elinor Ross and Grace Bumbry sang as Lady Macbeth with Sherrill Milnes in three (7th through 9th) and six (12th through 17th) performances, respectively: Sherrill Milnes la leggenda, via Facebook Oct. 26, 2021

Acknowledgment
My special thanks to talented artists and photographers/concerned organizations who make their fine images available on the internet.

Image credits:
1972-1973 season photo of Sherrill Milnes as Verdi's Macbeth by Met Opera official photographer Louis Melancon (Sep. 19, 1901-Aug. 10, 1974): Sherrill Milnes, via Facebook Nov. 18, 2021, @ https://www.facebook.com/photo.php?fbid=310809347534006&set=pb.100058148284920.-2207520000.&type=3
1972-1973 season photo of Sherrill Milnes as Verdi's Macbeth and Martina Arroyo as Lady Macbeth by Met Opera official photographer Louis Melancon (Sep. 19, 1901-Aug. 10, 1974); Sherrill Milnes sang Macbeth to Martina Arroyo's Lady Macbeth in eight, including the Saturday, Feb. 3, matinee broadcast, of the 1972-1973 season's 17 Macbeth performances; Elinor Ross and Grace Bumbry sang as Lady Macbeth with Sherrill Milnes in three (7th through 9th) and six (12th through 17th) performances, respectively: Sherrill Milnes la leggenda, via Facebook Oct. 26, 2021, @ https://www.facebook.com/shmilnes/posts/pfbid02rgFvzKK1nTFbMBfxCvXCJXceXzKUtjKb9wVxg6wmz97Npqo3LEQ6NqgDkw7sEdvFl

For further information:
"Debut: Bodo Igesz." MetOpera Database > [Met Performance] CID: 197980 Lucia di Lammermoor {317} Matinee ed. Metropolitan Theater, Boston, Massachusetts: 04/19/1964. (Debut: Bodo Igesz Review). Boston, Massachusetts. April 19, 1964 Matinee.
Available @ http://archives.metoperafamily.org/archives/scripts/cgiip.exe/WService=BibSpeed/fullcit.w?xCID=197980
"Debut: Francesco Molinari-Pradelli." MetOpera Database > [Met Performance] CID: 205340 Un Ballo in Maschera {92} Metropolitan Opera House: 02/7/1966. (Debut: Francesco Molinari-Pradelli Review). Metropolitan Opera House. February 7, 1966.
Available @ http://archives.metoperafamily.org/archives/scripts/cgiip.exe/WService=BibSpeed/fullcit.w?xCID=220900
"Debut: Franco Tagliavini." MetOpera Database > [Met Performance] CID: 220900 Norma {70} Metropolitan Opera House: 03/27/1970. (Debut: Franco Tagliavini). Metropolitan Opera House. March 27, 1970.
Available @ http://archives.metoperafamily.org/archives/scripts/cgiip.exe/WService=BibSpeed/fullcit.w?xCID=220900
"Debut: Martina Arroyo." MetOpera Database > [Met Performance] CID: 181440 Don Carlo {48} Metropolitan Opera House: 03/14/1959. (Debut: Martina Arroyo Review). Metropolitan Opera House. March 14, 1959. In Italian.
Available @ http://archives.metoperafamily.org/archives/scripts/cgiip.exe/WService=BibSpeed/fullcit.w?xCID=181440
"Debut: Ruggero Raimondi." MetOpera Database > [Met Performance] CID: 223000 Ernani {44} Metropolitan Opera House: 09/14/1970. (Opening Night {86} Rudolf Bing, General Manager Debut: Ruggero Raimondi Review). Metropolitan Opera House. September 14, 1970. Opening Night. Rudolf Bing, General Manager.
Available @ http://archives.metoperafamily.org/archives/scripts/cgiip.exe/WService=BibSpeed/fullcit.w?xCID=223000
"Debuts: Glenn Bater, Linore Aronson, Neil Peter Jampolis." MetOpera Database > [Met Performance] CID: 232310 Macbeth {26} Metropolitan Opera House: 01/25/1973. (Debuts: Glenn Bater, Linore Aronson, Neil Peter Jampolis). Metropolitan Opera House. January 25, 1973. Revised production.
Available @ http://archives.metoperafamily.org/archives/scripts/cgiip.exe/WService=BibSpeed/fullcit.w?xCID=232310
"Debuts: Leonie Rysanek, Harold Sternberg, Carl Ebert, Caspar Neher." MetOpera Database > [Met Performance] CID: 181040 Metropolitan Opera Premiere Macbeth {1} Metropolitan Opera House: 02/5/1959. (Metropolitan Opera Premiere) (Debuts: Leonie Rysanek, Harold Sternberg, Carl Ebert, Caspar Neher Reviews). Metropolitan Opera House February 5, 1959 Benefit sponsored by the Metropolitan Opera Guild for the production funds. Metropolitan Opera Premiere.
Available @ http://archives.metoperafamily.org/archives/scripts/cgiip.exe/WService=BibSpeed/fullcit.w?xCID=181040
"Debuts: Montserrat Caballé, Sherrill Milnes." MetOpera Database > [Met Performance] CID: 204850 Faust {594} Metropolitan Opera House: 12/22/1965. (Debuts: Montserrat Caballé, Sherrill Milnes Review). Metropolitan Opera House. December 22, 1965.
Available @ http://archives.metoperafamily.org/archives/scripts/cgiip.exe/WService=BibSpeed/fullcit.w?xCID=204850
"Debuts: Rita Orlandi-Malaspina, Rod MacWherter, Ann Florio." MetOpera Database > [Met Performance] CID: 216310 Simon Boccanegra {54} Metropolitan Opera House: 10/17/1968. (Debuts: Rita Orlandi-Malaspina, Rod MacWherter, Ann Florio Review). Metropolitan Opera House. October 17, 1968.
Available @ http://archives.metoperafamily.org/archives/scripts/cgiip.exe/WService=BibSpeed/fullcit.w?xCID=204850
Marriner, Derdriu. "Met Opera's 2022-2023 Season Has 24 Saturday Matinee Opera Broadcasts." Earth and Space News. Monday, Nov. 28, 2022.
Available @ https://earth-and-space-news.blogspot.com/2022/11/met-operas-2022-2023-season-has-24.html
Marriner, Derdriu. "Verdi’s Macbeth Is Dec. 21, 2019, Met Opera Saturday Matinee Broadcast." Earth and Space News. Monday, Dec. 16, 2019.
Available @ https://earth-and-space-news.blogspot.com/2019/12/verdis-macbeth-is-dec-21-2019-met-opera.html
“Metropolitan Opera Premiere: Macbeth.” MetOpera Database > [Met Performance] CID: 181040 Metropolitan Opera Premiere Macbeth {1} Metropolitan Opera House: 02/5/1959.
Available @ http://archives.metoperafamily.org/archives/scripts/cgiip.exe/WService=BibSpeed/fullcit.w?xCID=181040
Morrogh, Debbie G. "Louis Abel “Te-Coon” Melancon." Find a Grave > Memorial > Find a Grave Memorial ID: 187832154. March 6, 2018.
Available @ https://www.findagrave.com/memorial/187832154/louis-abel-melancon
"Revised Production: Macbeth." MetOpera Database > [Met Performance] CID: 232310 Macbeth {26} Metropolitan Opera House: 01/25/1973. (Debuts: Glenn Bater, Linore Aronson, Neil Peter Jampolis). Metropolitan Opera House. January 25, 1973. Revised production.
Available @ http://archives.metoperafamily.org/archives/scripts/cgiip.exe/WService=BibSpeed/fullcit.w?xCID=232310
Sherrill Milnes. "On this day in 1982, a new production of Macbeth opened at the Metropolitan Opera. This production starred Maestro Milnes alongside Renata Scotto as Lady Macbeth and Giuseppe Giacomini as Macduff, conducted by James Levine." Facebook. Nov. 18, 2021.
Available via Facebook @ https://www.facebook.com/photo.php?fbid=310809347534006&set=pb.100058148284920.-2207520000.&type=3
Sherrill Milnes la leggenda. "Con Martina Arroyo." Facebook. Oct. 26, 2021.
Available via Facebook @ https://www.facebook.com/shmilnes/posts/pfbid02rgFvzKK1nTFbMBfxCvXCJXceXzKUtjKb9wVxg6wmz97Npqo3LEQ6NqgDkw7sEdvFl


Sunday, January 29, 2023

Hawaii Kai Accounts for Lost Fishponds and NCIS: Hawai’i Stolen Valor


Summary: Hawaii Kai accounts for lost fishponds and for identity theft on NCIS: Hawai’i police procedural television series second-season episode 3, Stolen Valor.


Hawaii Kai accepts new residents for and local and non-local visitors to its attractive residential area in East Honolulu census-designated place, Honolulu City and County, Oahu County, Hawaii state. Its biogeography -- albeit altered by channels, commercial properties, house lots, island and land fingers and marina -- affirms its ancient reputation as among native Hawaiian fishponds; Travis.Thurston, CC BY SA 3.0 Unported, via Wikimedia Commons

Hawaii Kai accounts for lost fishponds and for identity theft on NCIS: Hawai’i police procedural television series second-season episode 3, Stolen Valor, as debuting Oct. 3, 2022, and rerunning Jan. 30, 2023.
The episode by writer Amy Rutberg; executive producers Matt Bosack, Jan Nash, Christopher Silber and Larry Teng; and director Tim Andrew broaches displaced, misplaced, replaced identities. Hawaii Kai (from Hawaiian ha, “breath”; wai, “life force, water”; ‘i, “supreme”; and from kai, “sea”) claimed a native Hawaiian fishpond and claims a confusing collision. A blonde dressed in her Navy white uniform donning Lieutenant Commander Audrey Garrett (Kate Miner) name tags and ribbons drove the military vehicle with government plates.
Vessela Toska (Olivia Jordan) established herself as Happy Housekeepers Bulgarian-born maid and as an impostor elsewhere on Oahu (from Hawaiian O’ahu, “gathering place”) County, Hawaii state.

The red dot affixes the area assumed by Hawaii Kai on the Hawaiian archipelago, whose 8 main islands are, from lower to upper left on the map, Hawaii (Hawai'i Kai, from Hawaiian ha, “breath”; wai, “life force, water”; ‘i, “supreme”; and from kai, “sea”), Kahoolawe (Kaho'olawe, from Hawaiian ka, "the" and ho'olawe, "to erode, to subtract") and Lanai (Lāna'i, from Hawaiian lā, “day” and naʻi, “conquest [of demons and ghosts by Mauian prince Kaulua'au (from Hawaiian Kauluā'au, "forest grove")]”) islands left of Maui (from [the] Hawaiian [trickster god] Māui), Molokai (from Hawaiian Moloka'i, "gathering of ocean waters"), Oahu (from O'ahu, "gathering place") and Niihau (from Hawaiian Ni'ihau, "the forbidden island") left of Kauai (from Hawaiian Kaua'i, "place around the neck"); Seth Ilys at English Wikipedia, CC BY SA 3.0 Unported, via Wikimedia Commons

Maunalua (from Hawaiian mauna, “mountain” and lua, “two”) Bay once featured the 523-acre (2.12-square-kilometer), native Hawaiian Keahupua-O-Maunalua (ke, “the”; ahu, “stone marker”; pua, “young fish”) fishpond.
Ancient Hawaiians traditionally generated four loko i’a (from Hawaiian loko, “lake, pond, pool, small waterbody” and i’a, “fish”) varieties, as brackish, freshwater, freshwater-taro and seawater ponds. Loko i’a kalo (from Hawaiian loko, “lake, pond, pool”; i’a, “fish”; and kalo, “taro [Colocasia esculenta]”), as freshwater-taro fishponds, held fish, green algae, shrimp and taro. Ancient Hawaiians issued, as non-taro freshwater ponds from inland, river-, spring-, stream-supplied lakes and ponds their loko wai (from Hawaiian loko, “small waterbody” and wai, “water”).
Hawaii Kai perhaps joined lost fishponds such as the Keahupua-O-Maunalua less sinisterly than lost lives such as that of expired H-2A temporary agricultural visa worker Vessela.

Hawaii Kai appeals to boaters, businessmen and businesswomen, homeowners and home leasers and renters who appreciate the open landscape into which angle palm trees and the open waters so agreeable to commercial and non-commercial, personal and professional activities. It appears hottest in September, with its high 82 degrees Fahrenheit (28 degrees Celsius) and its low 79 degrees Fahrenheit (26 degrees Celsius) and least hot in March, with its high 76 degrees Fahrenheit (24 degrees Celsius) and its low 72 degrees Fahrenheit (22 degrees Celsius); Photograph by D Ramey Logan, CC BY SA 3.0 Unported, via Wikimedia Commons

Loko wai freshwater ponds kept freshwater native shrimp and freshwater-migrating seawater milkfish and mullet even as loko i’a kalo kept Hawaiian goby, mullet and silver perch.
Ancient Hawaiians labeled as loko pu’unone (from Hawaiian loko, “lake, pond, pool, small waterbody”; pu’unone, “scattered [sea-life]”?) brackish fishponds natural water bodies left anthropogenically, naturally landward. Loko pu’unone brackish-watered fishponds manifested anthropogenic and natural earthy, muddy, sandy, and natural coral, embankments, whose small canals mustered seawater fish and shrimp during rising tides. Loko kuapa (from Hawaiian loko, “lake, pond, pool” and kuapā, “rock wall of fishpond”) seawater ponds necessitated anthropogenic (from Greek ἄνθρωπος, “human” and -γενής, “offspring”) seawalls.
Hawaii Kai offers Honolulu City and County residential tracts obtained from lost fishponds and NCIS: Hawai’i dirty-bomb operations obscured by identity-thieving Happy Housekeepers on Stolen Valor.

'Awa'aua (from Hawaiian 'awa, "channel, cove, harbor, passage, port" and 'aua, "mullet"), acknowledged commonly as Hawaiian bananafish, giant herring, ladyfish and tenpounder and scientifically as Elops hawaiensis), once assembled in Keahupua-O-Maunalua (ke, “the”; ahu, “stone marker”; pua, “young fish”) fishpond. Loko kuapa (from Hawaiian loko, “lake, pond, pool” and kuapā, “rock wall of fishpond”) seawater ponds with their anthropogenic (from Greek ἄνθρωπος, “human” and -γενής, “offspring”) seawalls attracted the west central Pacific Ocean native. The ray-finned fishes avoided their beloved waters from the Kuli'ou'ou headland to the modernday Portlock oceanfront neighborhood during Hawaii Kai construction and dredging activities from 1959 onward; muir, CC BY SA 4.0 International, via Wikimedia Commons

Loko kuapa seawater ponds, anthropogenically produced, presented 151- to 6,299-foot- (46- to 1,920-meter-) long walls where coralline algae natural cement packed coral or lava rocks together.
Seawater ponds quartered as many as 22 species of marine life who queued through fern- and wood-built grates in the very middle of many pond-to-sea canals. They realized safe havens for smaller fish to reach the pond-ward side of the pond-wall grates even as bigger, predatory fish remained on the sea-ward side. Keahupua-O-Maunalua fishpond once sheltered an anthropogenic kuapā that spanned the offshore waters from the Kuli’ou’ou headland to what now serves as Hawaii Kai’s Portlock oceanfront neighborhood.
Hawaii Kai once tendered ‘awa’aua (Elops hawaiensis scientifically; Hawaiian bananafish, ladyfish, tenpounder commonly) milkfish even as a trailer there triggered NCIS: Hawai’i trauma from Stolen Valor.

(left to right) Ernie Malik (Jason Antoon) and Lucy Tara (Yasmine Al-Bustami) in "Stolen Valor," season 2 episode 3 of American police procedural television series NCIS: Hawai'i: NCIS: Hawai'i @NCISHawaiiCBS, via Facebook Oct. 3, 2022

Acknowledgment
My special thanks to talented artists and photographers/concerned organizations who make their fine images available on the internet.

Image credits:
Hawaii Kai accepts new residents for and local and non-local visitors to its attractive residential area in East Honolulu census-designated place, Honolulu City and County, Oahu County, Hawaii state. Its biogeography -- albeit altered by channels, commercial properties, house lots, island and land fingers and marina -- affirms its ancient reputation as among native Hawaiian fishponds; Travis.Thurston, CC BY SA 3.0 Unported, via Wikimedia Commons @ https://commons.wikimedia.org/wiki/File:HawaiiKai.jpg
The red dot affixes the area assumed by Hawaii Kai on the Hawaiian archipelago, whose 8 main islands are, from lower to upper left on the map, Hawaii (Hawai'i Kai, from Hawaiian ha, “breath”; wai, “life force, water”; ‘i, “supreme”; and from kai, “sea”), Kahoolawe (Kaho'olawe, from Hawaiian ka, "the" and ho'olawe, "to erode, to subtract") and Lanai (Lāna'i, from Hawaiian lā, “day” and naʻi, “conquest [of demons and ghosts by Mauian prince Kaulua'au (from Hawaiian Kauluā'au, "forest grove")]”) islands left of Maui (from [the] Hawaiian [trickster god] Māui), Molokai (from Hawaiian Moloka'i, "gathering of ocean waters"), Oahu (from O'ahu, "gathering place") and Niihau (from Hawaiian Ni'ihau, "the forbidden island") left of Kauai (from Hawaiian Kaua'i, "place around the neck"); Seth Ilys at English Wikipedia, CC BY SA 3.0 Unported, via Wikimedia Commons @ https://commons.wikimedia.org/wiki/File:HIMap-doton-HawaiiKai.PNG
Hawaii Kai appeals to boaters, businessmen and businesswomen, homeowners and home leasers and renters who appreciate the open landscape into which angle palm trees and the open waters so agreeable to commercial and non-commercial, personal and professional activities. It appears hottest in September, with its high 82 degrees Fahrenheit (28 degrees Celsius) and its low 79 degrees Fahrenheit (26 degrees Celsius) and least hot in March, with its high 76 degrees Fahrenheit (24 degrees Celsius) and its low 72 degrees Fahrenheit (22 degrees Celsius); Photograph by D Ramey Logan, CC BY SA 3.0 Unported, via Wikimedia Commons @ https://commons.wikimedia.org/wiki/File:Hawaii_Kai_Sign_Oahu_Hawaii_Photo_D_Ramey_Logan.JPG
'Awa'aua (from Hawaiian 'awa, "channel, cove, harbor, passage, port" and 'aua, "mullet"), acknowledged commonly as Hawaiian bananafish, giant herring, ladyfish and tenpounder and scientifically as Elops hawaiensis), once assembled in Keahupua-O-Maunalua (ke, “the”; ahu, “stone marker”; pua, “young fish”) fishpond. Loko kuapa (from Hawaiian loko, “lake, pond, pool” and kuapā, “rock wall of fishpond”) seawater ponds with their anthropogenic (from Greek ἄνθρωπος, “human” and -γενής, “offspring”) seawalls attracted the west central Pacific Ocean native. The ray-finned fishes avoided their beloved waters from the Kuli'ou'ou headland to the modernday Portlock oceanfront neighborhood during Hawaii Kai construction and dredging activities from 1959 onward; muir, CC BY SA 4.0 International, via Wikimedia Commons @ https://commons.wikimedia.org/wiki/File:Elops_hawaiensis.jpg
(left to right) Ernie Malik (Jason Antoon) and Lucy Tara (Yasmine Al-Bustami) in "Stolen Valor," season 2 episode 3 of American police procedural television series NCIS: Hawai'i: NCIS: Hawai'i @NCISHawaiiCBS, via Facebook Oct. 3, 2022, @ https://www.facebook.com/NCISHawaiiCBS/posts/484075257100105/

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