Summary: Australian opera director Elijah Moshinsky's 2000-2001 staging of Giuseppe Verdi's Nabucco had its fourth revival at Met Opera in the 2011-2012 season.
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| Act 3 scene 2 of Verdi's Nabucco is set along the banks of the Euphrates River, a historically important river in Western Asia that, in its flow from Türkiye to confluence with the Tigris River for discharge in the Persian Gulf, bisected the ancient megalopis of Babylon in southern Mesopotamia; Wednesday, April 6, 2016, 13:51:27, image of the Euphrates River at the ruins of Babylon: David Stanley (D-Stanley), CC BY 2.0 Generic, via Flickr |
The Metropolitan Opera held the fourth revival of Australian opera director Elijah Moshinsky's 2000-2001 new staging of Giuseppe Verdi's Nabucco in the 2011-2012 season, after a non-performance interlude, spanning seasons 2005-2006 through 2010-2011, since the third revival's occurrence in the 2004-2005 season.
Elijah Moshinsky (Jan. 8, 1946-Jan. 14, 2021) debuted his new staging of Nabucco by 19th-century Italian opera composer Giuseppe Verdi (Oct. 10, 1813-Jan. 27, 1901) at Met Opera on Thursday, March 8, 2001. The 2000-2001 season offered nine performances of Moshinsky's new production. The Australian opera director had made his Met Opera debut Monday, Feb. 4, 1980, in the opera company's 153rd performance of Verdi's Un Ballo in Maschera.
One season, 2001-2002, elapsed between the production's debut and its first revival. The 2002-2003 season's six performances of the first revival, which opened St. Patrick's Day, Monday, March 17, 2003, initiated three successive seasons of revivals of Moshinsky's production. The second revival opened Monday, April 5, 2004, with 10 performances in the 2003-2004 season. In the next season, 2004-2005, the third revival received 10 performances, with an opening date of Monday, April 5, 2004.
After the 2004-2005 season's third revival, Met Opera absented Moshinsky's production for six seasons, from 2005-2006 through 2010-2011. In the 2011-2012 season, the Moshinsky-directed production reappeared on the opera company's performance roster.
In Met Opera's 2011-2012 season, Moshinsky's production received its fourth revival. Twelve performances were offered. The fourth revival opened Tuesday, Sep. 27, 2011. The first through closing, 12 performances were held Saturday, Oct. 1; Wednesday, Oct. 5; Saturday, Oct. 8; Wednesday, Oct. 12; Saturday, Oct. 15; Thursday, Oct. 20; Wednesday, Nov. 2; Saturday, Nov. 5; Wednesday, Nov. 9; Saturday, Nov. 12; and Thursday, Nov. 17.
Paolo Carignani conducted all 12 of the fourth revival's performances. The Italian conductor had made his Met Opera debut Monday, Oct. 20, 2008, in the opera company's 944th performance of Verdi's La Traviata.
Zeljko Lucic (Željko Lučić; born Feb. 24, 1968) sang the title role in all 12 of the fourth revival's performances. The Serbian operatic baritone had made his Met Opera debut Tuesday, Sep. 26, 2006, as Barnaba in the opera company’s 275th performance of La Gioconda by 19th-century Italian opera composer Amilcare Ponchielli (Aug. 31, 1834-Jan. 16, 1886).
Maria Guleghina (born Aug. 9, 1959) sang Princess Abigaille, whose disappointments include being slave-born, not princess-born, and losing in a love triangle to a real princess, in the first eight of the fourth revival's 12 performances for her third reprisal of the role. The Soviet-born Armenian-Ukrainian dramatic soprano had made her Met Opera debut Jan. 3, 1991, as Maddalena in the opera company's 150th performance of Andrea Chénier by Italian composer Umberto Giordano (Aug. 28, 1867-Nov. 12, 1948).
Maria Guleghina shared the role with Marianne Cornetti and Elisabete Matos. Marianne Cornetti (born 1962) sang Abigaille in the fourth revival's ninth through 11th performances. The American Verdian mezzo-soprano had made her Met Opera debut Monday, Feb. 7, 1994, as the Russian Nanny in the opera company's 10th performance of Death in Venice by Edward Benjamin Britten, Baron Britten (Nov. 22, 1913-Dec. 4, 1976).
Elisabete Matos (Maria Elisabete da Silva Duarte Matos; born Sep. 6, 1964) sang Abigaille in the fourth revival's closing, 12th performance. The Portuguese soprano had made her Met Opera debut Wednesday, Dec. 22, 2010, in the title role of Minnie in the opera company's 100th performance of La Fanciulla del West by Italian opera composer Giacomo Puccini (Dec. 22, 1858-Nov. 29, 1924).
Yonghoon Lee (born Nov. 23, 1972) sang Ismaele, nephew of the King of Jerusalem, in the fourth revival's first eight and closing, 12th performances. The South Korean operatic tenor had made his Met Opera debut Monday, Nov. 29, 2010, in the title role in the opera company’s 193rd performance of Verdi’s Don Carlo.
Yonghoon Lee shared the role with Adam Diegel, who sang Ismaele in the fourth revival's ninth through 11th performances. The Korean-American tenor had made his Met Opera debut Monday, Sep. 27, 2010, as Froh in the opera company's 156th performance of Das Rheingold by 19th-century German composer and librettist Richard Wagner (May 22, 1813-Feb. 13, 1883).
Renée Tatum sang Princess Fenena in the fourth revival's first and third through seventh performances. The American mezzo-soprano had made her Met Opera debut Tuesday, Oct. 26, 2010, as Ines in the opera company's 615th performance of Verdi's Il Trovatore.
Renée Tatum shared the role with Elizabeth Bishop, who sang Fenena in the fourth revival's second and eighth through closing, 12th performances for her second reprisal of the role. The American mezzo-soprano had made her Met Opera debut Monday, Feb. 7, 1994, as a Venetian in theopera company's 10th performance of Death in Venice by Edward Benjamin Britten, Baron Britten (Nov. 22, 1913-Dec. 4, 1976).
Carlo Colombara (born 1964) sang Zaccaria, High Priest of the Jews, in the fourth revival's first eight and closing, 12th performances. The Italian operatic bass had made his Met Opera debut Oct 3, 1955, as Ramfis in the opera company's 982nd performance of Verdi's Aida.
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| Italian operatic bass Carlo Colombara sang Zaccaria, High Priest of the Jews, in the fourth revival's first eight and closing, 12th performances; costumes by Andreane Neofitou, sets by John Napier, lighting by Howard Harrison; photo by Marty Sohl: Carlo Colombara, via Facebook Nov. 2, 2011 |
Carlo Colombara (born 1964) sang Zaccaria, High Priest of the Jews, in the fourth revival's first eight and closing, 12th performances. The Italian operatic bass had made his Met Opera debut Oct 3, 1955, as Ramfis in the opera company's 982nd performance of Verdi's Aida.
Carlo Colombara shared the role with Dmitry Belosselskiy, who sang Zaccaria in the fourth revival's ninth through 11th performances. The Ukrainian bass made his Met Opera debut in the fourth revival's ninth performance, Saturday, Nov. 5.
Amber Wagner sang Anna, Zaccaria's sister, in the fourth revival's first seven performances. The American soprano made her Met Opera debut Tuesday, Sep. 27, in the fourth revival's first performance.
Amber Wagner shared the role with Erica Strauss, who sang Anna in the fourth revival's eighth through closing, 12th performances. The American soprano had made her Met Opera debut New Year's Day, Friday, Jan. 1, 2010, as Marianne in the opera company's 374th performance of Der Rosenkavalier by German late Romantic and early modern composer Richard Strauss (June 11, 1864-Sep. 8, 1949).
David Crawford sang the Babylonian High Priest of Bel (Ba'al) in the fourth revival's first seven performances. The American bass-baritone had made his Met Opera debut Monday, Oct. 22, 2007, as a Warrior in the opera company's 81st performance of Verdi's Macbeth.
David Crawford shared the role with Jeremy Galyon, who sang the Babylonian High Priest in the fourth revival's eighth through closing, 12th performances. The American bass had made his Met Opera debut Monday, March 2, 2009, as Alessio in the opera company's 66th performance of La Sonnambula by 19th-century Italian opera composer Vincenzo Bellini (Nov. 3, 1801-Sept. 23, 1835).
Hugo Vera appeared as Babylonian soldier Abdallo in the fourth revival's first seven performances. The American tenor had made his Met Opera debut Monday, Dec. 6, 2010, as Trin in the opera company's 96th performance of Puccini's La Fanciulla del West.
Hugo Vera shared the role with Eduardo Valdes, who sang Abdallo in the fourth revival's eighth through closing, 12th performances for his third reprisal of the role. The Puerto Rican tenor had made his Met Opera debut Monday, Feb. 7, 1994, as a Young Man in the opera company's 10th performance of Britten's Death in Venice.
The production team for Moshinsky's staging of Verdi's Nabucco comprised John Napier, set designer; Andreane Neofitou, costume designer; and Howard Harrison, lighting designer. English costume and set designer John Napier (born March 1, 1944) and Cyprus-born, London-raised costume designer Andreane Neofitou made their Met Opera debuts Thursday, March 8, 2001, in Moshinsky's new Nabucco production. British lighting designer Howard Harrison had made his Met Opera debut Thursday, Jan. 11, 1996, in the Metropolitan Opera premiere of The Makropulos Case, composed by Czech composer Leoš Janáček (July 3, 1854-Aug. 12, 1928) and directed by Elijah Moshinsky.
J. Knighten Smit was the fourth revival's stage director. The American Met Opera revival director first had been credited as a stage Monday, March 17, 2003, for the first revival of Moshinsky's staging of Verdi's Nabucco.
After its fourth revival, Moshinsky's production skipped four seasons, 2012-2013 through 2015-2016. Met Opera held the production's fifth revival in the 2016-2017 season. The fifth revival opened Monday, Dec. 12, 2016, for eight performances.
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| Italian operatic bass Carlo Colombara sang Zaccaria, the High Priest of the Jews, in the fourth revival of Elijah Moshinsky's stage of Verdi's Nabucco in the 2011-2012 season; costumes by Andreane Neofitou, sets by John Napier, lighting by Howard Harrison; photo by Marty Sohl: Carlo Colombara, via Facebook Nov. 2, 2011 |
Acknowledgment
My special thanks to talented artists and photographers/concerned organizations who make their fine images available on the internet.
Dedication
Dedication
This post is dedicated to the memory of our beloved blue-eyed brother, Charles, who guided the creation of the Met Opera and Astronomy posts on Earth and Space News. We memorialized our brother in "Our Beloved Blue-Eyed Brother, Charles, With Whom We Are Well Pleased," published on Earth and Space News on Thursday, Nov. 18, 2021, an anniversary of our beloved father's death.
Image credits:
Image credits:
Act 3 scene 2 of Verdi's Nabucco is set along the banks of the Euphrates River, a historically important river in Western Asia that, in its flow from Türkiye to confluence with the Tigris River for discharge in the Persian Gulf, bisected the ancient megalopis of Babylon in southern Mesopotamia; Wednesday, April 6, 2016, 13:51:27, image of the Euphrates River at the ruins of Babylon: David Stanley (D-Stanley), CC BY 2.0 Generic, via Flickr @ https://www.flickr.com/photos/davidstanleytravel/30605395906
Italian operatic bass Carlo Colombara sang Zaccaria, High Priest of the Jews, in the fourth revival's first eight and closing, 12th performances; costumes by Andreane Neofitou, sets by John Napier, lighting by Howard Harrison; photo by Marty Sohl: Carlo Colombara, via Facebook Nov. 2, 2011, @ https://www.facebook.com/CarloColombaraBasso/posts/a.10150312525401881/10150350950746881/
Italian operatic bass Carlo Colombara sang Zaccaria, the High Priest of the Jews, in the fourth revival of Elijah Moshinsky's stage of Verdi's Nabucco in the 2011-2012 season; costumes by Andreane Neofitou, sets by John Napier, lighting by Howard Harrison; photo by Marty Sohl: Carlo Colombara, via Facebook Nov. 2, 2011, @ https://www.facebook.com/photo/?fbid=6653613884681570&set=ecnf.100000990725108
For further information:
For further information:
Carlo Colombara. "Metropolitan Opera of New York September 2011 ©Marty Sohl." Facebook. Nov. 2, 2011.
Available via Facebook @ https://www.facebook.com/photo/?fbid=10150350950711881&set=pb.100050236730464.-2207520000.
Available via Facebook @ https://www.facebook.com/CarloColombaraBasso/posts/a.10150312525401881/10150350950711881/
Available via Facebook @ https://www.facebook.com/photo/?fbid=10150350950711881&set=pb.100050236730464.-2207520000.
Available via Facebook @ https://www.facebook.com/CarloColombaraBasso/posts/a.10150312525401881/10150350950711881/
Carlo Colombara. "Metropolitan Opera of New York September 2011 ©Marty Sohl. Facebook. Nov. 2, 2011.
Available via Facebook @ https://www.facebook.com/photo/?fbid=10150350950746881&set=pb.100050236730464.-2207520000.
Available via Facebook @ https://www.facebook.com/CarloColombaraBasso/photos/a.10150312525401881/10150350950746881/
Available via Facebook @ https://www.facebook.com/CarloColombaraBasso/posts/a.10150312525401881/10150350950746881/
Available via Facebook @ https://www.facebook.com/photo/?fbid=10150350950746881&set=pb.100050236730464.-2207520000.
Available via Facebook @ https://www.facebook.com/CarloColombaraBasso/photos/a.10150312525401881/10150350950746881/
Available via Facebook @ https://www.facebook.com/CarloColombaraBasso/posts/a.10150312525401881/10150350950746881/
Carlo Colombara. "2011, Metropolitan Opera House di New York. Zaccaria in NABUCCO. Bella produzione con Guleghina e Lucic. Prima della penultima recita mi tagliai una mano con del vetro. Mi diedero 12 punti. Poi fasciatura e recita. Non ho pensato a nulla , solo al taglio. Fu la recita migliore delle nove. E' proprio vero che la voce a volte va per conto suo . . . -- in Bologna, Italy." Facebook. June 24, 2023.
Available via Facebook @ https://www.facebook.com/photo/?fbid=6653613884681570&set=ecnf.100000990725108
Available via Facebook @ https://www.facebook.com/photo/?fbid=6653613884681570&set=ecnf.100000990725108
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Nabucco {54} Metropolitan Opera House: 11/05/2011. (Debut: Dmitry Belosselskiy) Metropolitan Opera House November 5, 2011.
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"Debut: Elisabete Matos." MetOpera Database > [Met Performance] CID: 353700 La Fanciulla del West {100} Metropolitan Opera House: 12/22/2010, Sirius and XM Broadcast live. (Debut: Elisabete Matos Broadcast) Metropolitan Opera House December 22, 2010 Broadcast.
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Marriner, Derdriu. "Metropolitan Opera Premiered Verdi's Nabucco Monday, Oct. 24, 1960." Earth and Space News. Monday, Sep. 25, 2023.
Available @ https://earth-and-space-news.blogspot.com/2023/09/metropolitan-opera-premiered-verdis.html
Available @ https://earth-and-space-news.blogspot.com/2023/09/metropolitan-opera-premiered-verdis.html
Marriner, Derdriu. "Metropolitan Opera Revives 12 Productions in 2023-2024 Season." Earth and Space News. Monday, Aug. 28, 2023.
Available @ https://earth-and-space-news.blogspot.com/2023/08/metropolitan-opera-revives-12.html
Available @ https://earth-and-space-news.blogspot.com/2023/08/metropolitan-opera-revives-12.html
Marriner, Derdriu. "Moshinsky's Staging of Verdi's Nabucco Had First Met Revival 2002-2003." Earth and Space News. Monday, Oct. 16, 2023.
Available @ https://earth-and-space-news.blogspot.com/2023/10/moshinskys-staging-of-verdis-nabucco.html
Available @ https://earth-and-space-news.blogspot.com/2023/10/moshinskys-staging-of-verdis-nabucco.html
Marriner, Derdriu. "Moshinsky's Staging of Verdi's Nabucco Had Second Met Revival 2003-2004." Earth and Space News. Monday, Oct. 23, 2023.
Available @ https://earth-and-space-news.blogspot.com/2023/10/moshinskys-staging-of-verdis-nabucco_01050611079.html
Available @ https://earth-and-space-news.blogspot.com/2023/10/moshinskys-staging-of-verdis-nabucco_01050611079.html
Marriner, Derdriu. "Moshinsky's Staging of Verdi's Nabucco Had Third Met Revival 2004-2005." Earth and Space News. Monday, Oct. 30, 2023.
Available @ https://earth-and-space-news.blogspot.com/2023/10/moshinskys-staging-of-verdis-nabucco_059206376.html
Available @ https://earth-and-space-news.blogspot.com/2023/10/moshinskys-staging-of-verdis-nabucco_059206376.html
Marriner, Derdriu. "Nabucco Is the Jan. 7, 2017, Metropolitan Opera Saturday Matinee Broadcast." Earth and Space News. Monday, Jan. 2, 2017.
Available @ https://earth-and-space-news.blogspot.com/2017/01/nabucco-is-jan-7-2017-metropolitan.html
Available @ https://earth-and-space-news.blogspot.com/2017/01/nabucco-is-jan-7-2017-metropolitan.html
"Metropolitan Opera Premiere: Nabucco." MetOpera Database > [Met Performance] CID: 186000 Metropolitan Opera Premiere Nabucco {1} Metropolitan Opera House: 10/24/1960. (Metropolitan Opera Premiere) (Opening Night {76} Rudolf Bing, General Manager. Debuts: Bonaldo Giaiotti, Günther Rennert Review).
Available @ http://archives.metoperafamily.org/archives/scripts/cgiip.exe/WService=BibSpeed/fullcit.w?xCID=186000
Available @ http://archives.metoperafamily.org/archives/scripts/cgiip.exe/WService=BibSpeed/fullcit.w?xCID=186000
Michelli, Pippin. "Fanciful reconstruction, 19th century, mistakenly attributed to Maarten van Heemskerck (1498-1574), apparently based on Berossus, c.250 BC (mountain shaped, high walkways) and Philo, c.250 BC, or c.150 BC, or 1st century AD, or 6th century AD (forest of columns, fountains) and Diodorus, c.50 BC (stairways)." Plinia.net: Art History With Michelli > Projects > The Hanging Gardens of Babylon > Questions > Answers > The Pictures.
Available @ http://www.plinia.net/wonders/gardens/hgpix1.html
Available @ http://www.plinia.net/wonders/gardens/hgpix1.html
"New production: Nabucco." MetOpera Database > [Met Performance] CID: 350601 New Production Nabucco {15} Metropolitan Opera House: 03/08/2001 (Debut: John Napier, Andreane Neofitou Review). Metropolitan Opera House March 8, 2001 New Production.
Available @ http://archives.metoperafamily.org/archives/scripts/cgiip.exe/WService=BibSpeed/fullcit.w?xCID=350601
Available @ http://archives.metoperafamily.org/archives/scripts/cgiip.exe/WService=BibSpeed/fullcit.w?xCID=350601
Stančius, Antanas; and Petras Grecevičius. "Influence of Ancient Mesopotamian Aesthetics of Gardens/Parks and Water Installations on the Development of Landscape Architecture." Athens Journal of Architecture, vol. 8, issue 1 (January 2022): 9-34.
Available via ResearchGate @ https://www.researchgate.net/publication/366384476_Influence_of_Ancient_Mesopotamian_Aesthetics_of_GardensParks_and_Water_Installations_on_the_Development_of_Landscape_Architecture
Available via ResearchGate @ https://www.researchgate.net/publication/366384476_Influence_of_Ancient_Mesopotamian_Aesthetics_of_GardensParks_and_Water_Installations_on_the_Development_of_Landscape_Architecture
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