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Showing posts with label Frans van Mieris Cavalier art theft 2007. Show all posts
Showing posts with label Frans van Mieris Cavalier art theft 2007. Show all posts

Friday, June 23, 2017

Amore and Oliveri on New South Wales Art Gallery van Mieris Art Theft


Summary: The Stolen Cavalier blog by Anthony Amore and Vicki Oliveri crowd-sources New South Wales Art Gallery van Mieris art theft information since May 22, 2012.


"A Cavalier (Self Portrait)," oil on wood panel portrait by Dutch Golden Age painter Frans van Mieris the Elder; removed from Art Gallery of New South Wales (AGNSW) during art theft Sunday, June 10, 2007; security expert Anthony Amore notes on The Stolen Cavalier blog that "When a masterpiece goes missing, civilization loses a piece of its connection with the period in which it was created. When we abandon the search for such items, we are making a statement about our attitudes towards such matters -- a statement that does not speak well of us as a people.": Public Domain, via Wikimedia Commons

The 10th anniversary of the New South Wales Art Gallery van Mieris art theft in Sydney, Australia, acknowledges the fifth year in the New South Wales police's announced deactivation of search-and-rescue attempts.
The removal of the portable masterpiece by Frans van Mieris the Elder (April 16, 1635-March 12, 1681) of Leiden, Netherlands, bore the date June 10, 2007. The Sydney Morning Herald carried the date May 20, 2012, as the conclusion to the active campaign for conducting the oak-framed oil on panel back home.
Acting Sergeant Chris Nash described New South Wales Police Force investigations as suspended four years earlier, the year after removal and replacement with a permanent successor. He explained, "Police cannot speculate on why the artwork was stolen other than to speculate the artwork may have been sold to a black market investor."

"Young Woman With Feather Fan Prepared to Go Out," the companion portrait to the stolen Cavalier, depicts the artist's wife, Cunera van der Cock, Frans van Mieris's wife, and reveals Frans van Mieris the Elder's skill in rendering textures (stofuit-drukking) and attests to his stature as a fine painter (fijnschilder); Kunstmuseum Basel, northwestern Switzerland: Public Domain, via The Athenaeum

Framed, A Cavalier (Self Portrait) by diamond setter, goldsmith, ruby carver Jan Bastiaans van Mieris's painter son fills an 11.69- by 16.54-inch (297- by 420-millimeter) space.
Bright-colored, jewel- and stained glass-like sheens, generally on 12- to 15-square-inch (77.42- to 96.77-square-centimeter) copper or wood panels, give van Mieris the title fijnschilder (fine painter). The word stofuit-drukking (the rendering of textures) honors van Mieris's honing feathers, fur, glass, leather, metal, satin, silk, velvet, wool through thin layers and tiny brushes. Masterpieces inspire theft but impose limitations since Julian Radcliffe of Art Loss Register in London, United Kingdom, identifies sales as copies and security for drug deals.
Non-existent or non-productive leads within 90 days jump retrieval from months to years since FBI Special Agent Robert Goldman judges thieves and unscrupulous collectors prime controllers.

Frans van Mieris the Elder's Man at a Window Smoking a Pipe, also known as Man With Pipe at the Window, disappeared from Brukenthal National Museum in Sibiu, Romania, in 1968; recovery of the oil on panel portrait (1658) occurred about three decades later, in 1998, in Florida: Google Art Project works from the Brukenthal National Museum, Public Domain, via Wikimedia Commons

Vicki Oliveri, Stolen Cavalier blogger with Anthony Amore, security chief since 2005 at Boston's Isabella Stewart Gardner Museum in Massachusetts, knows of another missing van Mieris. The researcher specializing in art theft lists the disappearance of Man at a Window Smoking a Pipe from Brukenthal National Museum in Sibiu, Romania, in 1968. She mentions the portrait from 1658, within several years of the Cavalier auto-portrait, as mysterious in uses and whereabouts until making it to Florida in 1998. She notes its bearer, a Romanian immigrant unaware of the portrait's stolen status, as naming a Romanian gypsy's role in negotiating the masterpiece's sale in Romania.
The New South Wales Art Gallery van Mieris art theft occurred as the third or fourth of previously unlawful operations in 1942, possibly 1992 and 2004.

Australian artist William Dobell in 1942, the year his painting, Study of a Woman Dozing, disappeared from Australia's National Gallery of Art as "the first theft of a picture from a national gallery in Australia" (The West Australian, June 10, 1942, page 4); portrait by Australian modernist photographer Maxwell Dupain (April 22, 1911-July 27, 1992): National Library of Australia, Public Domain, via Wikimedia Commons

Sir William Dobell's (Sept. 24 1899-May 13, 1970) painted Study of a Woman Dozing and Yoshihiro Suda's wood-carved pink magnolia persist as 75- and 14-year-old mysteries. No leads queue up for them, or a possible theft around 1992, even though London-based Paul Hendry qualified as solid in 2012 for 2007 theft-related leads. He referenced eastern Australia- or Europe-based New South Wales Art Gallery van Mieris art theft controllers to Michael Maher, New South Wales Treasury Managed Fund-appointed investigator. Prohibitions against state government-negotiated rewards stopped information flows into investigations, deactivated and suspended June 2, 2008, on "technically still an open police" case June 27, 2012.
Suspensions triggered observations by Anthony Amore, author of The Art of the Con, that "it's quite rare to hear that the search has been given up."

scene from interview of Anthony Amore, Isabella Stewart Gardner Museum Security Director, conducted Wednesday, March 18, 2015, by Jared Bowen, on-air reporter for Boston-based public radio station WGBH, in courtyard of Isabella Stewart Gardner Museum: Anthony Amore, via Facebook Sep. 14, 2017

Acknowledgment
My special thanks to talented artists and photographers/concerned organizations who make their fine images available on the internet.

Image credits:
"A Cavalier (Self Portrait)," oil on wood panel portrait by Dutch Golden Age painter Frans van Mieris the Elder; removed from Art Gallery of New South Wales (AGNSW) during art theft Sunday, June 10, 2007; security expert Anthony Amore notes on The Stolen Cavalier blog that "When a masterpiece goes missing, civilization loses a piece of its connection with the period in which it was created. When we abandon the search for such items, we are making a statement about our attitudes towards such matters -- a statement that does not speak well of us as a people.": Public Domain, via Wikimedia Commons @ https://commons.wikimedia.org/wiki/File:Frans-van-mieris-thecavalier.jpg
"Young Woman With Feather Fan Prepared to Go Out," the companion portrait to the stolen Cavalier " depicts the artist's wife, Cunera van der Cock, Frans van Mieris's wife, and reveals Frans van Mieris the Elder's skill in rendering textures (stofuit-drukking) and attests to his stature as a fine painter (fijnschilder); Kunstmuseum Basel, northwestern Switzerland: Public Domain, via The Athenaeum @ http://www.the-athenaeum.org/art/detail.php?ID=263946
Frans van Mieris the Elder's Man at a Window Smoking a Pipe, also known as Man With Pipe at the Window, disappeared from Brukenthal National Museum in Sibiu, Romania, in 1968; recovery of the oil on panel portrait (1658) occurred about three decades later, in 1998, in Florida: Google Art Project works from the Brukenthal National Museum, Public Domain, via Wikimedia Commons @ https://commons.wikimedia.org/wiki/File:Frans_van_Mieris_(I)_-_Man_with_Pipe_at_the_Window_(1658).jpg
Australian artist William Dobell in 1942, the year his painting, Study of a Woman Dozing, disappeared from Australia's National Gallery of Art as "the first theft of a picture from a national gallery in Australia" (The West Australian, June 10, 1942, page 4); portrait by Australian modernist photographer Maxwell Dupain (April 22, 1911-July 27, 1992): National Library of Australia, Public Domain, via Wikimedia Commons @ https://commons.wikimedia.org/wiki/File:William_Dobell_Max_Dupain.jpg
scene from interview of Anthony Amore, Isabella Stewart Gardner Museum Security Director, conducted Wednesday, March 18, 2015, by Jared Bowen, on-air reporter for Boston-based public radio station WGBH, in courtyard of Isabella Stewart Gardner Museum: Anthony Amore, via Facebook Sep. 14, 2017, @ https://www.facebook.com/AnthonyAmoreMA/posts/1581901891830757/; via Facebook Sep. 14, 2017, @ https://www.facebook.com/photo/?fbid=1581901891830757&set=a.572303806123909; via Facebook Sep. 14, 2017, @ https://www.facebook.com/photo/?fbid=1581901891830757&set=ecnf.100057892487069; GBH News, "Gardner Museum Security Director On 25-Year-Long Art Heist Investigation," via YouTube March 18, 2015, @ https://www.youtube.com/watch?v=XkNj0825jIQ&t=68s

For further information:
Amore, Anthony; and Oliveri, Vicki. Stolen Cavalier: Dedicated to Recovering a Cavalier by Frans van Mieris Through Crowd-Sourcing Information. Blog at WordPress.com.
Available @ https://stolencavalier.wordpress.com/
ARC CEPS. 28 November 2012. "Vicki Oliveri 2012 CEPS Conference." YouTube.
Available @ https://www.youtube.com/watch?v=G_RmF1cjzhE
Doyle, Margaret; and Dullaart, Jephta. 2006. Amorous Intrigues and Painterly Refinement: The Art of Frans van Mieris. Washington DC: Board of Trustees, National Gallery of Art.
Available @ https://www.nga.gov/exhibitions/2006/vanmieris/vanmieris_brochure.pdf
Marriner, Derdriu. 16 June 2017. "Jacques Blanchard and New South Wales Art Gallery Van Mieris Art Theft." Earth and Space News. Friday.
Available @ https://earth-and-space-news.blogspot.com/2017/06/jacques-blanchard-and-new-south-wales.html
Marriner, Derdriu. 9 June 2017. "New South Wales Art Gallery van Mieris Art Theft June 10, 2007." Earth and Spaces News. Friday.
Available @ https://earth-and-space-news.blogspot.com/2017/06/new-south-wales-art-gallery-van-mieris.html
Oliveri, Vicki. 2014. "A Tale of Two Cities, A Tale of Two Art Thefts." Pp. 79-99. In: Contemporary Perspectives on the Detection, Investigation and Prosecution of Art Crime: Australasian, European and North American Perspectives. Edited by Duncan Chappell and Saskia Hufnagel. Farnham, Surrey, United Kingdom; and Burlington VT: Ashgate Publishing.
Available @ https://books.google.com/books?id=TCgpDAAAQBAJ
Sabba, Charles. 14 February 2014. "Art Crimes Portraits: Gardner Gossips Lecture 2014." Gardner Heist Gossips blog.
Available @ http://gardnerheistgossips.blogspot.com/
Taylor, Andrew. 20 May 2012. "Search for Stolen Masterpiece Ends." The Sydney Morning Herald > Entertainment > Art.
Available @ http://www.smh.com.au/entertainment/art-and-design/search-for-stolen-masterpiece-ends-20120519-1yxis.html
Taylor, Andrew. 6 June 2015. "A Cavalier Approach: Investigation of Art Gallery of NSW's Stolen Painting Mishandled." The Sydney Morning Herald > Entertainment > Art.
Available @ http://www.smh.com.au/entertainment/art-and-design/a-cavalier-approach-investigation-of-art-gallery-of-nsws-stolen-painting-mishandled-20150608-ghi4e1.html
"Theft from Gallery of New South Wales." Federal Bureau of Investigation > What We Investigate > Violent Crime > Art Theft > FBI Top Ten Art Crimes Art Crime Team.
Available @ https://www.fbi.gov/investigate/violent-crime/art-theft/fbi-top-ten-art-crimes/theft-from-art-gallery-of-new-south-wales
The West Australian. 10 June 1942. "Art Gallery Theft: Painting Taken From Frame." Trove Australia > Digitised Newspapers > The West Australian (Perth, WA: 1879-1954), Wednesday, June 10, 1942: page 4.
Available @ https://trove.nla.gov.au/newspaper/article/47335718


Friday, June 16, 2017

Jacques Blanchard and New South Wales Art Gallery van Mieris Art Theft


Summary: A Jacques Blanchard allegorical, mythological oil occupies the space opened with the New South Wales Art Gallery van Mieris art theft June 10, 2007.


"Mars and the Vestal Virgin," ca. 1630 oil on canvas by Jacques Blanchard; Art Gallery of New South Wales (AGNSW), The Domain, Sydney, southeastern Australia; "Mars and the Vestal Virgin" occupies the space left vacant by 2007 theft of Frans van Mieris the Elder's "A Cavalier (Self Portrait)": Public Domain, via Wikimedia Commons

Contributions and insurance add a Jacques Blanchard oil painting to the niche in 15th to 19th century art previously assigned to the New South Wales Art Gallery van Mieris art theft casualty.
Mars and the Vestal Virgin, alternately entitled Cymon and Iphigenia, brings allegory and mythology to the James Fairfax Gallery niche for landscapes, portraits and sacred artworks. It communicates the big, square uprightness of decorative schemes for the residences constructed by France's wealthy administrative class in the first half of the 17th century. It dazzles viewers in ways dissimilar to that of Frans van Mieris the Elder's (April 16, 1635-March 12, 1681) diminutive, oak panel-framed A Cavalier (Self Portrait).
The Jacques Blanchard masterpiece eases into gallery wall space forever emptied one decade ago by extraction of a Frans van Mieris the Elder masterpiece June 10, 2007.

"A Cavalier (Self Portrait)," oil on wood panel portrait by Dutch Golden Age painter Frans van Mieris the Elder; removed from Art Gallery of New South Wales (AGNSW) during art theft Sunday, June 10, 2007, "A Cavalier" numbers among the FBI list of top 10 unsolved art thefts: Public Domain, via Wikimedia Commons

The companion portrait to Young Woman with Feather Fan Prepared to Go Out of van Mieris's wife, Cunera van der Cock (1629/1630-1700), faces an unknown fate. It garners a spot on the Federal Bureau of Investigation's FBI list of top 10 unsolved art thefts despite investigations grinding to official halts in Australia. It has worldwide attention through the Stolen Cavalier blog of Anthony Amore, security chief since 2005 at Boston's Isabella Stewart Gardner Museum, with researcher Vicki Oliveri. A dissimilar successor, unlike the Gardner 13's empty frames from the Isabella Stewart Gardner Museum art theft March 18, 1990, imperils its memory within Sydney, Australia.
One of the French Titian's 60-plus known paintings jeopardizes public memories, if not retrieval, of the New South Wales Art Gallery van Mieris art theft casualty.

"Young Woman With Feather Fan Prepared to Go Out," companion portrait of "A Cavalier (Self Portrait)," portrays Cunera van der Cock, Frans van Mieris's wife, and safely hangs in Kunstmuseum Basel, northwestern Switzerland: Public Domain, via The Athenaeum

The Sydney-based gallery knows no shrines because of $2 million in funds from the missing van Mieris's donor and in insurance from NSW Treasury Managed Funds. It lands the auto-portrait's successor through Art Gallery Society and James Oswald Fairfax (March 27, 1933-Jan. 11, 2017), Companion of the Order of Australia (AC), support.
Its frame makes the Blanchard painting's 51.18- by 43.46-inch (130- by 110.4-centimeter) stretcher measure 56.29 by 47.99 by 3.15 inches (143 by 121.9 by 8.0 centimeters). Provenance through 17th-century inventories neglects necessary notifications on the decorative scheme's subject matter and ultimate destination and notes only its commission contract date of March 1683.
The successor to the New South Wales Art Gallery van Mieris art theft casualty offers two less or more likely interpretations as to theme and title.

James Fairfax joined Art Gallery Society in supporting replacement of missing Frans van Mieris the Elder's A Cavalier (Self Portrait) with Jacques Blanchard's Mars and the Vestal Virgin at Art Gallery of New South Wales (AGNSW): smh.com.au @smh, via Twitter Jan. 12, 2017

One interpretation presents Cypriot nobleman Galesus, nicknamed Cymon (brute), pursuing Iphigenia, fiancée of Pasimondas of Rhodes, in Giovanni Boccaccio's (June 16, 1313-Dec. 21, 1375) The Decameron.
The war god Mars with the Vestal Virgin Rhea Silvia qualifies as the New South Wales Art Gallery's interpretation because of the man's Roman soldier-like attire. The Blanchard painting references the meeting of the subsequent parents of Romulus (March 24, 771 B.C.-July 5 or 7, 716 B.C.), legendary founder of Rome, Italy. It sustains cultural connections for Italian Australians, fifth most identified ancestry in the Australian Bureau of Statistics (ABS) 2011 Census and second commonest, non-English language speakers.
The New South Wales Art Gallery van Mieris art theft trades Dutch connections since Captain Willem Janszoon's (1570?-1630?) landing Feb. 26, 1606, for 250-plus-year-old Italian ties.

night view of Art Gallery of New South Wales (AGNSW), former home of van Mieris' Cavalier and current home of its replacement, Blanchard's Mars and the Vestal Virgin; Thursday, July 18, 2013, 23:25: jasoncstarr, CC BY SA 2.0 Generic, via Wikimedia Commons

Acknowledgment
My special thanks to talented artists and photographers/concerned organizations who make their fine images available on the internet.

Image credits:
"Mars and the Vestal Virgin," ca. 1630 oil on canvas by Jacques Blanchard; Art Gallery of New South Wales (AGNSW), The Domain, Sydney, southeastern Australia; "Mars and the Vestal Virgin" occupies the space left vacant by 2007 theft of Frans van Mieris the Elder's "A Cavalier (Self Portrait)": Public Domain, via Wikimedia Commons @ https://commons.wikimedia.org/wiki/File:%27Mars_and_the_Vestal_Virgin%27,_oil_on_canvas_painting_by_Jacques_Blanchard,_ca._1630,_Art_Gallery_of_New_South_Wales.jpg
"A Cavalier (Self Portrait)," oil on wood panel portrait by Dutch Golden Age painter Frans van Mieris the Elder; removed from Art Gallery of New South Wales (AGNSW) during art theft Sunday, June 10, 2007, "A Cavalier" numbers among the FBI list of top 10 unsolved art thefts: Public Domain, via Wikimedia Commons @ https://commons.wikimedia.org/wiki/File:Frans-van-mieris-thecavalier.jpg
"Young Woman With Feather Fan Prepared to Go Out," companion portrait of "A Cavalier (Self Portrait)," portrays Cunera van der Cock, Frans van Mieris's wife, and safely hangs in Kunstmuseum Basel, northwestern Switzerland: Public Domain, via The Athenaeum @ http://www.the-athenaeum.org/art/detail.php?ID=263946
James Fairfax joined Art Gallery Society in supporting replacement of missing Frans van Mieris the Elder's A Cavalier (Self Portrait) with Jacques Blanchard's Mars and the Vestal Virgin at Art Gallery of New South Wales (AGNSW): smh.com.au @smh, via Twitter Jan. 12, 2017, @ https://twitter.com/smh/status/819344740747460608
night view of Art Gallery of New South Wales (AGNSW), former home of van Mieris' Cavalier and current home of its replacement, Blanchard's Mars and the Vestal Virgin; Thursday, July 18, 2013, 23:25: jasoncstarr, CC BY SA 2.0 Generic, via Wikimedia Commons @ https://commons.wikimedia.org/wiki/File:Art_Gallery_of_New_South_Wales_at_night.jpg

For further information:
Amore, Anthony; and Oliveri, Vicki. Stolen Cavalier: Dedicated to Recovering a Cavalier by Frans van Mieris Through Crowd-Sourcing Information. Blog at WordPress.com.
Available @ https://stolencavalier.wordpress.com/
"Frans van Mieris Leiden 1635 - 1681 Leiden. Zum Ausgehen bereite junge Dame mit Federfächer, um 1657/1659." Kunstmuseum Basel > Werker > Künstler.
Available @ http://sammlungonline.kunstmuseumbasel.ch/eMuseumPlus?service=ExternalInterface&module=collection&objectId=2916&view
Hollington, Kris. 22 July 2014. "After Drugs and Guns, Art Theft Is the Biggest Criminal Enterprise in the World." News Week > Culture.
Available @ http://www.newsweek.com/2014/07/18/after-drugs-and-guns-art-theft-biggest-criminal-enterprise-world-260386.html
"Jacques Blanchard's 'Mars and the Vestal Virgin.'" American Broadcasting Corporation News > Australia > 20 March 2008.
Available @ http://www.abc.net.au/news/2008-03-18/jacques-blanchards-mars-and-the-vestal-virgin/1076702
Marriner, Derdriu. 9 June 2017. "New South Wales Art Gallery van Mieris Theft June 10, 2007." Earth and Space News. Friday.
Available @ https://earth-and-space-news.blogspot.com/2017/06/new-south-wales-art-gallery-van-mieris.html
Miess, Michael. 11 March 2014. "Frans van Mieris: A Cavalier (Self Portrait)." ArtRobberies.com > 32 Art Theft Stories.
Available @ http://www.artrobberies.com/32-art-theft-stories/frans-van-mieris-a-cavalier-self-portrait
    "New 17th-Century Painting at the Art Gallery of New South Wales: Jacques Blanchard (France 1600-1638), Mars and the Vestal Virgin." Art Gallery of New South Wales > Archives 2008.
    Available @ http://archive.artgallery.nsw.gov.au/media/archives_2008/jacques_blanchard/
    Oliveri, Vicki. 2014. "A Tale of Two Cities, A Tale of Two Art Thefts." Pp. 79-99. In: Contemporary Perspectives on the Detection, Investigation and Prosecution of Art Crime: Australasian, European and North American Perspectives. Edited by Duncan Chappell and Saskia Hufnagel. Farnham, Surrey, United Kingdom; and Burlington VT: Ashgate Publishing.
    Available @ https://books.google.com/books?id=TCgpDAAAQBAJ&pg=PA86&lpg=PA86&dq=frans+van+mieris+man+with+a+smoking+pipe&source=bl&ots=8DZBwfmaNz&sig=B6YMjMFdGHibkh-5634SL88qUi8&hl=en&sa=X&ved=0ahUKEwjB4fqIq5DTAhVLj1QKHaioAcAQ6AEIUTAO#v=onepage&q=frans%20van%20mieris%20man%20with%20a%20smoking%20pipe&f=false
      "Reflecting a Nation: Stories from the 2011 Census, 2012-2013." Australian Bureau of Statistics > Browse Statistics > Browse by Catalogue Number > 2071.0 > Latest Issue Released at 11:30 AM (Canberra Time) 21/06/2012.
      Available @ http://www.abs.gov.au/ausstats/abs@.nsf/Lookup/2071.0main+features902012-2013
      Rykner, Didier. 15 June 2007. "Theft of a Painting by Frans van Mieris from The Art Gallery of New South Wales." The Art Tribune.com > The News.
      Available @ http://www.thearttribune.com/Theft-of-a-painting-by-Frans-van.html
        smh.com.au @ smh. 11 January 2017. "Prominent philanthropist and art patron James Fairfax has died, aged 83." Twitter.
        Available @ https://twitter.com/smh/status/819344740747460608
        Sullivan, Rohan. 14 June 2007. "Van Mieris' A Cavalier Stolen from Australian Gallery." Houston Chronicle.com > A&E > Entertainment.
        Available @ http://www.chron.com/entertainment/article/Van-Mieris-A-Cavalier-stolen-from-Australian-1802039.php
          Taylor, Andrew. 20 May 2012. "Search for Stolen Masterpiece Ends." The Sydney Morning Herald > Entertainment > Art.
          Available @ http://www.smh.com.au/entertainment/art-and-design/search-for-stolen-masterpiece-ends-20120519-1yxis.html
            Taylor, Andrew. 6 June 2015. "A Cavalier Approach: Investigation of Art Gallery of NSW's Stolen Painting Mishandled." The Sydney Morning Herald > Entertainment > Art.
            Available @ http://www.smh.com.au/entertainment/art-and-design/a-cavalier-approach-investigation-of-art-gallery-of-nsws-stolen-painting-mishandled-20150608-ghi4e1.html
              "Theft from Gallery of New South Wales." Federal Bureau of Investigation > What We Investigate > Violent Crime > Art Theft > FBI Top Ten Art Crimes Art Crime Team.
              Available @ https://www.fbi.gov/investigate/violent-crime/art-theft/fbi-top-ten-art-crimes/theft-from-art-gallery-of-new-south-wales
              Villarreal, Ignacio. "The Art Gallery of New South Wales Acquires Mars and the Vestal Virgin by Jacques Blanchard." ArtDaily.org > Museums > Australia > Art Gallery of New South Wales.
              Available @ http://artdaily.com/news/23602/The-Art-Gallery-of-New-South-Wales-Acquires-Mars-and-the-Vestal-Virgin-by-Jacques-Blanchard#.WOZzQ_mANBc