Earth and Space News: New South Wales Art Gallery van Mieris art theft 2007

Showing posts with label New South Wales Art Gallery van Mieris art theft 2007. Show all posts

Friday, June 16, 2017

Jacques Blanchard and New South Wales Art Gallery van Mieris Art Theft

Summary: A Jacques Blanchard allegorical, mythological oil occupies the space opened with the New South Wales Art Gallery van Mieris art theft June 10, 2007.

Contributions and insurance add a Jacques Blanchard oil painting to the niche in 15th to 19th century art previously assigned to the New South Wales Art Gallery van Mieris art theft casualty.

Mars and the Vestal Virgin, alternately entitled Cymon and Iphigenia, brings allegory and mythology to the James Fairfax Gallery niche for landscapes, portraits and sacred artworks. It communicates the big, square uprightness of decorative schemes for the residences constructed by France's wealthy administrative class in the first half of the 17th century. It dazzles viewers in ways dissimilar to that of Frans van Mieris the Elder's (April 16, 1635-March 12, 1681) diminutive, oak panel-framed A Cavalier (Self Portrait).

The Jacques Blanchard masterpiece eases into gallery wall space forever emptied one decade ago by extraction of a Frans van Mieris the Elder masterpiece June 10, 2007.

"A Cavalier (Self Portrait)," oil on wood panel portrait by Dutch Golden Age painter Frans van Mieris the Elder; removed from Art Gallery of New South Wales (AGNSW) during art theft Sunday, June 10, 2007, "A Cavalier" numbers among the FBI list of top 10 unsolved art thefts: Public Domain, via Wikimedia Commons

The companion portrait to Young Woman with Feather Fan Prepared to Go Out of van Mieris's wife, Cunera van der Cock (1629/1630-1700), faces an unknown fate. It garners a spot on the Federal Bureau of Investigation's FBI list of top 10 unsolved art thefts despite investigations grinding to official halts in Australia. It has worldwide attention through the Stolen Cavalier blog of Anthony Amore, security chief since 2005 at Boston's Isabella Stewart Gardner Museum, with researcher Vicki Oliveri. A dissimilar successor, unlike the Gardner 13's empty frames from the Isabella Stewart Gardner Museum art theft March 18, 1990, imperils its memory within Sydney, Australia.

One of the French Titian's 60-plus known paintings jeopardizes public memories, if not retrieval, of the New South Wales Art Gallery van Mieris art theft casualty.

"Young Woman With Feather Fan Prepared to Go Out," companion portrait of "A Cavalier (Self Portrait)," portrays Cunera van der Cock, Frans van Mieris's wife, and safely hangs in Kunstmuseum Basel, northwestern Switzerland: Public Domain, via The Athenaeum

The Sydney-based gallery knows no shrines because of $2 million in funds from the missing van Mieris's donor and in insurance from NSW Treasury Managed Funds. It lands the auto-portrait's successor through Art Gallery Society and James Oswald Fairfax (March 27, 1933-Jan. 11, 2017), Companion of the Order of Australia (AC), support.

Its frame makes the Blanchard painting's 51.18- by 43.46-inch (130- by 110.4-centimeter) stretcher measure 56.29 by 47.99 by 3.15 inches (143 by 121.9 by 8.0 centimeters). Provenance through 17th-century inventories neglects necessary notifications on the decorative scheme's subject matter and ultimate destination and notes only its commission contract date of March 1683.

The successor to the New South Wales Art Gallery van Mieris art theft casualty offers two less or more likely interpretations as to theme and title.

James Fairfax joined Art Gallery Society in supporting replacement of missing Frans van Mieris the Elder's A Cavalier (Self Portrait) with Jacques Blanchard's Mars and the Vestal Virgin at Art Gallery of New South Wales (AGNSW): smh.com.au @smh, via Twitter Jan. 12, 2017

One interpretation presents Cypriot nobleman Galesus, nicknamed Cymon (brute), pursuing Iphigenia, fiancée of Pasimondas of Rhodes, in Giovanni Boccaccio's (June 16, 1313-Dec. 21, 1375) The Decameron.

The war god Mars with the Vestal Virgin Rhea Silvia qualifies as the New South Wales Art Gallery's interpretation because of the man's Roman soldier-like attire. The Blanchard painting references the meeting of the subsequent parents of Romulus (March 24, 771 B.C.-July 5 or 7, 716 B.C.), legendary founder of Rome, Italy. It sustains cultural connections for Italian Australians, fifth most identified ancestry in the Australian Bureau of Statistics (ABS) 2011 Census and second commonest, non-English language speakers.

The New South Wales Art Gallery van Mieris art theft trades Dutch connections since Captain Willem Janszoon's (1570?-1630?) landing Feb. 26, 1606, for 250-plus-year-old Italian ties.

Acknowledgment

My special thanks to talented artists and photographers/concerned organizations who make their fine images available on the internet.

Image credits:

"Mars and the Vestal Virgin," ca. 1630 oil on canvas by Jacques Blanchard; Art Gallery of New South Wales (AGNSW), The Domain, Sydney, southeastern Australia; "Mars and the Vestal Virgin" occupies the space left vacant by 2007 theft of Frans van Mieris the Elder's "A Cavalier (Self Portrait)": Public Domain, via Wikimedia Commons @ https://commons.wikimedia.org/wiki/File:%27Mars_and_the_Vestal_Virgin%27,_oil_on_canvas_painting_by_Jacques_Blanchard,_ca._1630,_Art_Gallery_of_New_South_Wales.jpg

night view of Art Gallery of New South Wales (AGNSW), former home of van Mieris' Cavalier and current home of its replacement, Blanchard's Mars and the Vestal Virgin; Thursday, July 18, 2013, 23:25: jasoncstarr, CC BY SA 2.0 Generic, via Wikimedia Commons @ https://commons.wikimedia.org/wiki/File:Art_Gallery_of_New_South_Wales_at_night.jpg

For further information:

Amore, Anthony; and Oliveri, Vicki. Stolen Cavalier: Dedicated to Recovering a Cavalier by Frans van Mieris Through Crowd-Sourcing Information. Blog at WordPress.com.
Available @ https://stolencavalier.wordpress.com/

"Frans van Mieris Leiden 1635 - 1681 Leiden. Zum Ausgehen bereite junge Dame mit Federfächer, um 1657/1659." Kunstmuseum Basel > Werker > Künstler.
Available @ http://sammlungonline.kunstmuseumbasel.ch/eMuseumPlus?service=ExternalInterface&module=collection&objectId=2916&view

Hollington, Kris. 22 July 2014. "After Drugs and Guns, Art Theft Is the Biggest Criminal Enterprise in the World." News Week > Culture.
Available @ http://www.newsweek.com/2014/07/18/after-drugs-and-guns-art-theft-biggest-criminal-enterprise-world-260386.html

"Jacques Blanchard's 'Mars and the Vestal Virgin.'" American Broadcasting Corporation News > Australia > 20 March 2008.
Available @ http://www.abc.net.au/news/2008-03-18/jacques-blanchards-mars-and-the-vestal-virgin/1076702

Marriner, Derdriu. 9 June 2017. "New South Wales Art Gallery van Mieris Theft June 10, 2007." Earth and Space News. Friday.
Available @ https://earth-and-space-news.blogspot.com/2017/06/new-south-wales-art-gallery-van-mieris.html

Miess, Michael. 11 March 2014. "Frans van Mieris: A Cavalier (Self Portrait)." ArtRobberies.com > 32 Art Theft Stories.
Available @ http://www.artrobberies.com/32-art-theft-stories/frans-van-mieris-a-cavalier-self-portrait

"New 17th-Century Painting at the Art Gallery of New South Wales: Jacques Blanchard (France 1600-1638), Mars and the Vestal Virgin." Art Gallery of New South Wales > Archives 2008.
Available @ http://archive.artgallery.nsw.gov.au/media/archives_2008/jacques_blanchard/

Oliveri, Vicki. 2014. "A Tale of Two Cities, A Tale of Two Art Thefts." Pp. 79-99. In: Contemporary Perspectives on the Detection, Investigation and Prosecution of Art Crime: Australasian, European and North American Perspectives. Edited by Duncan Chappell and Saskia Hufnagel. Farnham, Surrey, United Kingdom; and Burlington VT: Ashgate Publishing.
Available @ https://books.google.com/books?id=TCgpDAAAQBAJ&pg=PA86&lpg=PA86&dq=frans+van+mieris+man+with+a+smoking+pipe&source=bl&ots=8DZBwfmaNz&sig=B6YMjMFdGHibkh-5634SL88qUi8&hl=en&sa=X&ved=0ahUKEwjB4fqIq5DTAhVLj1QKHaioAcAQ6AEIUTAO#v=onepage&q=frans%20van%20mieris%20man%20with%20a%20smoking%20pipe&f=false

"Reflecting a Nation: Stories from the 2011 Census, 2012-2013." Australian Bureau of Statistics > Browse Statistics > Browse by Catalogue Number > 2071.0 > Latest Issue Released at 11:30 AM (Canberra Time) 21/06/2012.
Available @ http://www.abs.gov.au/ausstats/abs@.nsf/Lookup/2071.0main+features902012-2013

Rykner, Didier. 15 June 2007. "Theft of a Painting by Frans van Mieris from The Art Gallery of New South Wales." The Art Tribune.com > The News.
Available @ http://www.thearttribune.com/Theft-of-a-painting-by-Frans-van.html

smh.com.au @ smh. 11 January 2017. "Prominent philanthropist and art patron James Fairfax has died, aged 83." Twitter.
Available @ https://twitter.com/smh/status/819344740747460608

Sullivan, Rohan. 14 June 2007. "Van Mieris' A Cavalier Stolen from Australian Gallery." Houston Chronicle.com > A&E > Entertainment.
Available @ http://www.chron.com/entertainment/article/Van-Mieris-A-Cavalier-stolen-from-Australian-1802039.php

Taylor, Andrew. 20 May 2012. "Search for Stolen Masterpiece Ends." The Sydney Morning Herald > Entertainment > Art.
Available @ http://www.smh.com.au/entertainment/art-and-design/search-for-stolen-masterpiece-ends-20120519-1yxis.html

Taylor, Andrew. 6 June 2015. "A Cavalier Approach: Investigation of Art Gallery of NSW's Stolen Painting Mishandled." The Sydney Morning Herald > Entertainment > Art.
Available @ http://www.smh.com.au/entertainment/art-and-design/a-cavalier-approach-investigation-of-art-gallery-of-nsws-stolen-painting-mishandled-20150608-ghi4e1.html

"Theft from Gallery of New South Wales." Federal Bureau of Investigation > What We Investigate > Violent Crime > Art Theft > FBI Top Ten Art Crimes Art Crime Team.
Available @ https://www.fbi.gov/investigate/violent-crime/art-theft/fbi-top-ten-art-crimes/theft-from-art-gallery-of-new-south-wales

Villarreal, Ignacio. "The Art Gallery of New South Wales Acquires Mars and the Vestal Virgin by Jacques Blanchard." ArtDaily.org > Museums > Australia > Art Gallery of New South Wales.
Available @ http://artdaily.com/news/23602/The-Art-Gallery-of-New-South-Wales-Acquires-Mars-and-the-Vestal-Virgin-by-Jacques-Blanchard#.WOZzQ_mANBc

Friday, June 9, 2017

New South Wales Art Gallery van Mieris Art Theft June 10, 2007

Summary: The New South Wales Art Gallery van Mieris art theft June 10, 2007, in Sydney, Australia, gets pocket-sized, screwed-in artwork despite crowds and guards.

A Cavalier (Self Portrait), 1657-1659 oil on wood panel portrait by Dutch Golden Age painter Frans van Mieris the Elder; removed from Art Gallery of New South Wales (AGNSW) during art theft Sunday, June 10, 2007: Public Domain, via Wikimedia Commons

The New South Wales Art Gallery van Mieris art theft June 10, 2007, in Sydney, Australia, appears on the Federal Bureau of Investigation's list of the FBI's top 10 unsolved art crimes.

Removal between 10:00 a.m. and 12:30 p.m. Australian Eastern Standard Time (12:00 and 14:30, June 9, 2007, Greenwich Mean Time) belongs among the most daring crimes. Gallery records and police reports cast no light on suspects because of the display room's lack of closed circuit security cameras on A Cavalier (Self Portrait). They also depict the challenges of Sunday's huge crowds, estimated at 6,000, for the Art Gallery of New South Wales (AGNSW) at Sydney's 84.02-acre (34-hectare) Domain.

Extraction of the 7.87-inch- (20-centimeter-) high, 6.29-inch- (16-centimeter-) wide oil on oak panel emerges as a crime before unaware witnesses, during viewing hours, with specialized equipment.

Art Gallery of New South Wales (AGNSW), scene of van Mieris daytime-art theft, Sunday, June 10, 2007: Nicomède, CC BY SA 3.0 Unported, via Wikimedia Commons

Joanna Mendelssohn, Associate Professor in the College of Fine Arts at the University of New South Wales, fears that "the AGNSW one was an opportunistic theft." She gives easy recovery of the $1.4 million-insured, $1.9 million-valued painting little chance since "If it was opportunistic, it would be hard to dispose/return the work."

Vicki Oliveri of James Cook University in Townsville, Queensland, heads toward a pre-planned New South Wales Art Gallery van Mieris art theft because of specialist tools. Andrew Taylor of The Sydney Morning Herald identifies intermittent guards and non-existent surveillance of a pocket-sized painting "screwed to the wall with two visible keyhole plates."

The Rocks Local Area Command Acting Police Superintendent Simon Hardman judges that, consistent with pre-planned scenarios, "The artwork was expertly removed from the art gallery wall."

Art Gallery of New South Wales (upper left) is sited northeast of St. Mary's Basilica (center right) in The Domain, 34 hectares (84 acres) of open space on the eastern edge of Sydney's central business district; Friday, Dec. 10, 2010: Diego Delso, CC BY SA 3.0 Unported, via Wikimedia Commons

Nobody knows the motivations for keeping A Cavalier (Self Portrait) from 1657 to 1659 by Frans van Mieris the Elder (April 16, 1635-March 12, 1681) missing.

Acting Sergeant Chris Nash of the New South Wales police leans toward a likelihood that "the artwork may have been sold to a black market investor." He mentions that "It is believed the [New South Wales Art Gallery van Mieris art theft] artwork may have been smuggled outside the country" after 2012. FBI Special Agent Robert Goldman and FBI Art Theft Program Manager Bonnie Magness-Gardiner respectively note 10 percent recovery chances and "the international dimension of art crime."

Lynda Albertson of Rome's Association for Research into Crimes Against Art likewise observes, "The world is full of art lovers with rich tastes and richer pocketbooks."

Art Gallery of New South Wales (center) is located in The Domain, southeast of The Royal Botanic Gardens (center left), west of Sydney's harbourside, inner-city eastern suburb of Woolloomooloo and northeast of St. Mary's Basilica (lower right); aerial view, looking northeast, from Sydney's financial district, July 2003: Ester Inbar (ST), Public Domain, via Wikimedia Commons

The oak panel's frame pushes the total dimensions of the portrait of the fair-eyed, fair-skinned cavalier to 11.69 inches (297 millimeters) by 16.54 inches (420 millimeters).

The jewel-like sheen of the portrayed cavalier's feathered hat, frilled sleeves and sword hilt qualify as faithful indicators of the genre and portrait painter's family business. Dutch genealogical and historical records reveal the occupation of the painter's father, Jan Bastiaans van Mieris, to be as carver of rubies, diamond setter and goldsmith. The same influences sculpt the companion portrait, Young Woman with Feather Fan Prepared to Go Out, of the artist's wife, Cunera van der Cock (1629/1630-1700).

The New South Wales van Mieris art theft takes Frans van Mieris's auto-portrait from public view but no closer to its companion portrait in Basel, Switzerland.

Acknowledgment

My special thanks to talented artists and photographers/concerned organizations who make their fine images available on the internet.

Image credits:

"A Cavalier (Self Portrait)," oil on wood panel portrait by Dutch Golden Age painter Frans van Mieris the Elder; removed from Art Gallery of New South Wales (AGNSW) during art theft Sunday, June 10, 2007: Public Domain, via Wikimedia Commons @ https://commons.wikimedia.org/wiki/File:Frans-van-mieris-thecavalier.jpg

Art Gallery of New South Wales (AGNSW), scene of van Mieris daytime-art theft, Sunday, June 10, 2007: Nicomède, CC BY SA 3.0 Unported, via Wikimedia Commons @ https://commons.wikimedia.org/wiki/File:ArtGalleryOfNewSouthWales.jpg

Art Gallery of New South Wales (center) is located in The Domain, southeast of Sydney Harbour's Royal Botanic Gardens (center left), west of Sydney's harbourside, inner-city eastern suburb of Woolloomooloo and northeast of St. Mary's Basilica (lower right); aerial view from Sydney's financial district, July 2003: Ester Inbar (ST), Public Domain, via Wikimedia Commons @ https://commons.wikimedia.org/wiki/File:SydneyBay1_ST_03.jpg

"Frans van Mieris Leiden 1635 - 1681 Leiden. Zum Ausgehen bereite junge Dame mit Federfächer, um 1657/1659." Kunstmuseum Basel > Werker > Künstler. Available @ http://sammlungonline.kunstmuseumbasel.ch/eMuseumPlus?service=ExternalInterface&module=collection&objectId=2916&view

Oliveri, Vicki. 2014. "A Tale of Two Cities, A Tale of Two Art Thefts." Pp. 37-56. In: Contemporary Perspectives on the Detection, Investigation and Prosecution of Art Crime: Australasian, European and North American Perspectives. Edited by Duncan Chappell and Saskia Hufnagel. Farnham, Surrey, United Kingdom; and Burlington VT: Ashgate Publishing.
Available @ https://books.google.com/books?id=TCgpDAAAQBAJ