Friday, May 14, 2021

Kakanava Prabhasana Relics Age Buddhist Monuments at Sanchi and Andher


Summary: Kakanava Prabhasana relics age Buddhist monuments at Andher, Madhya Pradesh state, central India, to about 200 BCE, after Buddhist monuments at Sanchi.


Early 20th century carved, five-foot ivory elephant tusk illustrates Buddha's life with 43 roundels; roundel 26 depicts, as first post-enlightnment event, Buddha teaching the Dharma to his five Bodh Gaya friends who became his first five disciples (Kaundinya, Bhaddiya, Vappa, Mahanama, Assaji); Kaundinya was the sage who predicted that Siddhartha Gautama would be a great spiritual leader; he was the first of the first five disciples of Gautama Buddha; he was the paternal ancestor of Kakanava Prabhasana ("Light of Sanchi"); Decorative Arts Gallery, National Museum, New Delhi, north India; Sunday, Jan. 12, 2014, 13:20: Nomu420, CC BY SA 3.0 Unported, via Wikimedia Commons

Kakanava Prabhasana relics age Buddhist monuments at Andher, central Madhya Pradesh state, central India, to about 200 BCE, about 2,200-plus years ago and around 20 years after area Buddhist monuments at Sanchi.
Brahmi (बामभी, from Sanskrit ब्राह्मि, "holy" or ब्राह्मी, Ultimate Reality’s personified female energy) inscriptions bare Kakanava Prabhasana as benefactor of Sanchi and as bones for Andher. They commemorate Kakanava Prabhasana as a chosen conserver of the consecrated ashes of Vachi Suvijayata at Sanchi and a cremated commemorative for containers concealed at Andher. Major General Sir Alexander Cunningham (Jan. 23, 1814-Nov. 28, 1893) dated their deposits to between 220 and 200 BCE at Sanchi and 200 BCE at Andher.
Evolving language, imperial effectiveness and missionary experiences encouraged the London-born archaeological excavator in his estimates during his examination of relic-holders encountered at Sanchi and then Andher.

The Bengal Engineer Corps officer found a chamber fashioned 7 feet (2.13 meters) above the terrace of Sanchi Stupa (from Sanskrit स्तूप, “[relic-holding] heap”) No. 2.
The author three years later of The Bhilsa Topes, in 1854, gauged the stone-ground chamber at 3.5 feet (1.07 meters) above the second stupa’s dome center. The hallowed chamber held a relic-box headed eastward toward the first Sanchi (from Sanskrit शान्ति, "calmness") stupa honored as holding Gautama Buddha (624 BCE?-544 BCE?) relics. Four steatite (soapstone, from Greek στέατος, “of suet”) caskets, of which the second included “inner circle” and “outer circle” (page 288) inscriptions, inhabited the relic-box interior.
Vachi Suvijayata relics joined other relics in Buddhist monuments at Sanchi before Kakanava Prabhasana relics joined other relics at Andher just 10.56 miles (17 kilometers) away.

Steatite box no. 2 kept the bone relics of Vachi Suvijayata as “Kákanava-pábhásasáhana dánam. ‘The gift of Kákanava Prabhásana’” (page 288), son of the former’s teacher.
Ancient builders of Andher (from Hindi अंधेर, "chaos") Stupa No. 2 located the chamber lodging Kakanava Prabhasana relics “not in the meridian as usual” (page 346). Their 1.5-foot- (0.46-meter-) broad by 1-foot- (0.31-meter-) high chamber manifested its sides at “57 ½ deg. and 147 ½ deg. E. and W. respectively” (page 346). A 5.5-inch- (13.97-centimeter-) high steatite casket with 3.25-inch (8.26-centimeter) bottom and 2.5-inch (6.35-centimeter) top diameters netted exterior niches for barred and plain triangles and moulded bands.
Lid-top inscriptions observed, “Sapurisasa Gotiputasa Kákanava Pabhásanasa Kodinyegotasa. ‘(Relics) of the emancipated son of Goti, Kákanava Prabhasana, of the race of Kodini (or Kohudinya)’” (page 347).

The stupa-protected casket preserved Kakanava Prabhasana relics presented under an epithet perceived by Nani Gopal Majumdar (Dec. 1, 1897-Nov. 11, 1938), Jessore-born archaeologist from present-day Bangladesh.
Kaundinya (from Sanskrit कौण्डिन्य), first of Gautama Buddha’s (from Sanskrit गौतम, “light[-dispelling] darkness” and बुद्ध, “awakened”) first five disciples, quickened quite a queue of Buddhism-questing descendants. Gotiputra (from Sanskrit गोटी, "Goti['s]" and पुत्र, “son”) received reverent recognition as Kákanava Prabhásaná (Sanchi’s Light, from Sanskrit काकनाद, "crow-calling [Sanchi’s original name]" and प्रभासन, “illuminating”). Inscription styles and shared sepulchers in scattered structures for sacred relics of northward and southward sojourners suggest ever-softening strength of one spiritual empire over its successors.
Traditional Buddhists turned Kakanava Prabhasana relics at Andher toward Buddhist monuments at Sanchi, crow-calling homeland of Emperor Ashoka’s Buddhist wife Devi and namesake of Sanchi’s Light.

'Relic Series. Plate.2. Situation of the Chamber: and the style of the relics found in Stupa B. Sanchi,' pen and ink and wash drawing by 19th century English officer, archaeological surveyor and painter Frederick Charles Maisey: The British Library Online Gallery, Public Domain, via Wikimedia Commons

Acknowledgment
My special thanks to talented artists and photographers/concerned organizations who make their fine images available on the internet.

Image credits:
Early 20th century carved, five-foot ivory elephant tusk illustrates Buddha's life with 43 roundels; roundel 26 depicts, as first post-enlightnment event, Buddha teaching the Dharma to his five Bodh Gaya friends who became his first five disciples (Kaundinya, Bhaddiya, Vappa, Mahanama, Assaji); Kaundinya was the sage who predicted that Siddhartha Gautama would be a great spiritual leader; he was the first of the first five disciples of Gautama Buddha; he was the paternal ancestor of Kakanava Prabhasana ("Light of Sanchi"); Decorative Arts Gallery, National Museum, New Delhi, north India; Sunday, Jan. 12, 2014, 13:20: Nomu420, CC BY SA 3.0 Unported, via Wikimedia Commons @ https://commons.wikimedia.org/wiki/File:Buddha_visiting_his_five_old_friends_Roundel_26_buddha_ivory_tusk.jpg
'Relic Series. Plate.2. Situation of the Chamber: and the style of the relics found in Stupa B. Sanchi,' pen and ink and wash drawing by 19th century English officer, archaeological surveyor and painter Frederick Charles Maisey: The British Library Online Gallery, Public Domain, via Wikimedia Commons @ https://commons.wikimedia.org/wiki/File:Sanchi_Stupa_2_Relic_series.jpg

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