Friday, September 20, 2019

Ajanta Cave 21: 200th Anniversary Year of Ajanta Cave Wall Paintings


Summary: The 200th anniversary year of Ajanta cave wall paintings and sculptures in central-west India associates Ajanta cave 21 with abundant area and animal art.


pillars and pilasters of chapel in left aisle of Ajanta Cave 21; Ajanta Caves, Maharashtra, central-west India; Friday, March 10, 2017, 05:30: Photo Dharma from Sadao, Thailand (Anandajoti Bhikkhu [Anandajoti]), CC BY 2.0 Generic, via Wikimedia Commons

The 200th anniversary year of Ajanta cave wall paintings and sculptures, European-accessed since April 28, 1819, in India approaches animal-associated artistry and approximate area of Ajanta cave 21 to Ajanta cave 23.
Ajanta cave 21 belongs among the 1,300- to 1,600-year-old second-phase monastery caves from the fifth through sixth, seventh or eighth centuries C.E. in north-central Maharashtra state. It communicates commodious characteristics not common to first-phase, 2,000- to 2,300-year-old monastery caves 8, 12, 13 and 15A/30 constructed between the third and first centuries B.C.E. It, like Ajanta cave 23, displays Hindu mythological animals that derive from the devotional, instructional, meditational Buddhism directed by Vakataka dynasty emperors to their Ajanta subkings.
The 200th anniversary year of European-accessed Ajanta cave wall paintings and sculptures encounters embellished doorways and pillars in Ajanta cave 21 and in Ajanta cave 23.

Ajanta cave 21 figures as second-largest monastery cavern of six second-phase monastery caves between two second-phase chaitya (from Sanskrit चैत्य, "funereal mound, pedestal, pile") prayer halls.
Its 96.13- by 96.13-foot (29.3- by 29.3-meter) dimensions give Ajanta cave 24 the grandest ground area of six monastery caves between chaitya caves 19 and 26. Their respective 93.70- by 91.96-foot (28.6- by 28.03-meter) and 92.91- by 73.88-foot (28.32- by 22.52-meter) dimensions herald Ajanta caves 21 and 23 as second- and third-largest. Ajanta cave 21 includes stone-carved pillars for four dormitory porches and for one veranda and 12 square-based pillars in the entry hall to 12 dormitory cells.
Tourists in the 200th anniversary year of European-accessed Ajanta cave wall paintings and sculptures journey around Ajanta caves 21 and 23 judicious door and pillar decorations.

Ajanta cave 21 and Ajanta cave 23 kindled different stone-carved pillar decorations and distinct stone-sculpted serpentine doorkeepers from Ajanta (from Sanskrit अजित, "invincible") artisans and monks.
Ajanta cave 21 looks more like Ajanta cave 23 than the other four monasteries between chaitya prayer halls 19 and 26 because of sculptures and size. The Sangha (from Sanskrit संघ, "multitude") lay and monastic community mixed devotional, instructional, meditational Buddhism and Hindu mythology in Ajanta cave 21 and Ajanta cave 23. Sangha communal itinerant artisans and monks nestled naga (from Sanskrit नाग, "serpent") guardians into the framed, sculpted doors of Ajanta cave 21 and Ajanta cave 23.
Ajanta cave 21 offers the 200th anniversary year of European-accessed Ajanta cave wall paintings and sculptures Hindu mythological serpent offspring of Khadru and the sage Kasyapa.

The Great Bear constellation personifies Kasyapa, grandson of the Hindu god of wisdom Brahma, and the other great sages Atri, Bharadwaja, Gautama, Jamadagne, Vasishta and Visvamitra.
Kasyapa's and Khadru's son, the serpent king Shesha, qualifies as supporter of the heavenly world over the middle and lower worlds and as symbol of eternity. His five- and seven-headed, jewel-hooded cobras (Naja naja) rally around enlightenment-seeking Siddhartha Gautama (from Sanskrit सिद्धार्थ, "successful" and गोतम, "light [dispels] darkness") and jewel-rich Patala netherworlds. The Ajanta cave 21 sanctum sanctōrum (from Latin, from Hebrew קֹדֶשׁ הַקֳּדָשִׁים, "holy of holies") sculpture shows Gautama Buddha (from Sanskrit बुद्ध, "awakened") after serpent-sheltered enlightenment.
Hindu mythology's best door- and jewel-keepers turn up as Ajanta cave 21 door sculptures in the 200th anniversary year of Ajanta cave wall paintings and sculptures.

pillars and pilasters of chapel in left aisle of Ajanta Cave 21, drawn by Scottish archaeologist James Burgess (Aug. 14, 1832-Oct. 3, 1916); plate photo-lithography by William Griggs (Oct. 4, 1832-Dec. 7, 1911); J. Fergusson and J. Burgess, The Cave Temples of India (1880), Plate XLIX: via Internet Archive

Acknowledgment
My special thanks to talented artists and photographers/concerned organizations who make their fine images available on the internet.

Image credits:
pillars and pilasters of chapel in left aisle of Ajanta Cave 21; Ajanta Caves, Maharashtra, central-west India; Friday, March 10, 2017, 05:30: Photo Dharma from Sadao, Thailand (Anandajoti Bhikkhu [Anandajoti]), CC BY 2.0 Generic, via Wikimedia Commons @ https://commons.wikimedia.org/wiki/File:050_Cave_21,_Side_Chapel_(34246652201).jpg;
Anandajoti Bhikkhu (Anandajoti), CC BY 2.0 Generic, via Flickr @ https://www.flickr.com/photos/anandajoti/34246652201/
pillars and pilasters of chapel in left aisle of Ajanta Cave 21, drawn by Scottish archaeologist James Burgess (Aug. 14, 1832-Oct. 3, 1916); plate photo-lithography by William Griggs (Oct. 4, 1832-Dec. 7, 1911); J. Fergusson and J. Burgess, The Cave Temples of India (1880), Plate XLIX: via Internet Archive @ https://archive.org/details/cavetemplesofind00ferguoft/page/n660

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