Dimma, Anglicized The Darkness, Accumulates Icelandic Names and Words

Summary: Dimma, anglicized The Darkness, as the first thriller in the Hidden Iceland trilogy authored by Ragnar Jónasson, accumulates Icelandic names and words.

Cappuccino answers to the name cappuccino in Iceland, where it appeals as a frothy, hot drink. It perhaps answers unofficially to the Icelandic name frodukaffi (“foam coffee"); May 22, 2005, image of latte art: Morten Båtbukt (Mortefot), CC BY SA 2.0 Generic, via Wikimedia Commons

Dimma, anglicized The Darkness, as the first thriller in the Hidden Iceland trilogy about Reykjavík Detective Inspector Hulda Hermannsdóttir by author Ragnar Jónasson, accumulates Icelandic names and words for Icelandic-English vocabulary lists.

The Mannanafnanefnd (Icelandic Naming Committee, Personal Names Committee, literally “Man Name Committee”) register balances, since 1991, Icelander and immigrant given names against Icelandic grammar and tradition. The first thriller congregates Áki Ákason (“father, father’s son”), Albert Albertsson (“noble, nobleman’s son”), Baldur Albertsson (“lord/prince, nobleman’s son”) and Bjartur Hartmannsson (“illustrious, hard man's son”). It deploys Dimma Jónsdóttir (“darkness, gracious God's daughter”), Dóra (“gift”), Emma Margeirsdóttir (“all-encompassing, war-spear’s daughter”) and Hulda Hermannsdóttir (“secrecy, Herman's daughter” or “secrecy, unknown soldier’s daughter").

Hulda book one exhibits Jón Thorkelsson Vídalín (“gracious God, thunder-cauldron’s son, forest army”), 1666-1720, as front-matter quotee and, at a downtown café, fictitious Karen (“both, pure”?).

Magnús (“great”), Óliver ("ancestor‘s heir]”), Pétur (“rock, stone”), Thrándur (“enjoy, grow, prosper”?) from Faroese Tróndur and Tómas Gudmundsson (“twin, god/good protector’s son”) function as Icelandic names.

Refugees Elena (“torch”) and Katja (“both, faraway, hundred, pure, torture”?) guard simultaneously Icelandic and Russian names even as Mannanafnanefnd perhaps gets Arabic-speaking Ameena re-named Tryggva (“trustworthy”). The Icelandic language hails its króna (“crown”) currency, lopapeysa (“unspun-wool sweater") and sprittprímus (“spirits-cooker”) and harvests Prins Póló (“prince Polish”) from Poland's Prince Polo chocolate wafers. Italian cappuccino (“brown-red [coffee the color of Capuchin monks’ cowls]") and the Czech Škoda (“damage”) car respectively Icelandicize as frodukaffi (“foam coffee") and skemmd (“damage, spoilage”).

Akrafjall (“acrid mountain”), Esja (“clay”) and Skardsheidi (“[mountain] pass [of] heath”) summits join Reykjavík-area places to which Hulda journeyed before or during Dimma, anglicized The Darkness.

Kinetic Reykjavíkingers (“smoke bay”) know Álftanes (“swan peninsula”), Flekkuvík (“fleck, speck bay”), Keflavík (“driftwood bay”) and Njardvík (“strength bay”) on Reykjanes (“smoke cape, headland, promontory”) peninsula.

Reykjanes peninsula likewise lodges Keilir (“[subglacial mound or subglacial, sub-ice sheet volcano looking like a] cone, cusk [Brosme brosme] fish, tenpin, torsk [Brosme brosme] fish") mountain. The flat-topped, steep-sided volcano musters motorist attention on the dual carriageway along the Vatnsleysuströnd (“water coast”) coastal stretch, after the Keflavík turn-off, of the Reykjanes peninsula. Icelander and non-Icelander motorists navigate Reykjanes peninsula south-southeastward to Thjódvegur (Route 1, literally “nation, people road”) 1, nicknamed Hringvegur (“Ring Road”), past Fangelsid Litla-Hrauni (“prison little-lava”).

Dimma, anglicized The Darkness, offers such Icelandic names and words as Heidmörk (“bright forest”) nature preserve, where built and natural environments overlap in Urridavellir golf course.

Icelander and non-Icelander motorists pursue Ring Road south-southeastward, then northward to Vatnajökull (“glacier of lakes”) ice cap in eastern Iceland’s Skaftafell (“shaft[-like] isolated hill, mountain”) district.

Höfudborgarsvædid (Greater Reykjavík, literally “The Capital Region”), north-northwest of Heidmörk and Reykjanes, quarters Faxafloi (“horse’s gulf”) bay and Fossvogur (“waterfall bay”) and Grafarvogur (“trench bay”) suburbs. It retains for entertainment Gamla Bió (“the old one[‘s] cinema”), Hótel Borg (“castle, fortification, stronghold”) and Hótel Holt (“copse, small forest, stony hill with trees, wood”). It shelters Kjarvalsstadir (“brave, fierce battle sword-play place”) art gallery café, Tryggvagata (“trustworthy road, street”) hot dog stand and Urridavellir (“sea trout field, meadow”) golf course.

Places with such Icelandic names and words as Hverfisgata (“farm-clustered neighborhood road”) police tempt Hulda through their investigative and travel-related tasks in Dimma, anglicized The Darkness.

Škoda answers to the name Škoda in Iceland, where a literal-minded Icelander associates it perhaps unofficially with the Icelandic word skemmd ("damage, spoilage"). In its green, two-door appearance, it appeals to Detective Inspector Hulda Hermannsdóttir as a reliable car for accessing areas inside and outside Reykjavík; Oct. 1, 2014, image of Škoda at Škoda Auto Museum, Mladá Boleslav, Central Bohemian Region, Czech Republic: Cherubino, CC BY SA 4.0 International, via Wikimedia Commons

Acknowledgment

My special thanks to talented artists and photographers/concerned organizations who make their fine images available on the internet.

Dedication

This post is dedicated to the memory of our beloved blue-eyed brother, Charles, who guided the creation of the Met Opera and Astronomy posts on Earth and Space News. We memorialized our brother in "Our Beloved Blue-Eyed Brother, Charles, With Whom We Are Well Pleased," published on Earth and Space News on Thursday, Nov. 18, 2021, an anniversary of our beloved father's death.

Image credits:

Cappuccino answers to the name cappuccino in Iceland, where it appeals as a frothy, hot drink. It perhaps answers unofficially to the Icelandic name frodukaffi (“foam coffee"); May 22, 2005, image of latte art: Morten Båtbukt (Mortefot), CC BY SA 2.0 Generic, via Wikimedia Commons @ https://commons.wikimedia.org/wiki/File:Latte_art.jpg; Morten Båtbukt (Mortefot), CC BY-NC-SA 2.0 Generic, via Flickr @ https://www.flickr.com/photos/tussius/

Škoda answers to the name Škoda in Iceland, where a literal-minded Icelander associates it perhaps unofficially with the Icelandic word skemmd ("damage, spoilage"). In its green, two-door appearance, it appeals to Detective Inspector Hulda Hermannsdóttir as a reliable car for accessing areas inside and outside Reykjavík; Oct. 1, 2014, image of Škoda at Škoda Auto Museum, Mladá Boleslav, Central Bohemian Region, Czech Republic: Cherubino, CC BY SA 4.0 International, via Wikimedia Commons @ https://commons.wikimedia.org/wiki/File:2014_Škoda_Museum,_Škoda_125_L_typ_742_1989_02.JPG

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Icelandic Cuisine Americanizes Dimma, Anglicized as The Darkness

Summary: Icelandic cuisine Americanizes Dimma, anglicized as The Darkness, first thriller in the Hidden Iceland trilogy authored by Ragnar Jónasson.

Reykjavík Detective Inspector Hulda Hermannsdóttir appreciates apple pie with cream, cake and Prins Póló chocolate wafers. The experimental artist, songwriter and vocalist Svavar Pétur Eysteinsson assumes the name Prins Póló as a soloist away from his alternative rock band, Skakkamanage: Prins Polo in concert June 20, 2014, at Græni Hatturinn, Akureyri, northern Iceland: Øyvind Kolås, CC BY 4.0 International, via Wikimedia Commons

Icelandic cuisine Americanizes Dimma, anglicized as The Darkness, first thriller in the Hidden Iceland trilogy authored by Ragnar Jónasson about Reykjavík Detective Inspector Hulda Hermannsdóttir, who appreciates American drinks and fast food.

The first book bares how Hulda braves personally boring, professionally bothersome days by bolstering herself with basic drinks and foods that minimally blow her bare-bones budget. Hulda commences, and continues through, her day with coffee, which she consumes as a drink, never as a component of such cherished, costly creations as skúffukaka. She decides upon coffee, not cappuccino (“brown-red [coffee, from brown-red Capuchin monk cowl color]"), and apple pie with cream, not cake, at Kjarvalsstadir art gallery café.

Café menus perhaps entertain eplakaka (“apple cake”), randalín (“striped [layer cake]”), skúffukaka (“baking-tray cake,” “oven-pan cake”) and vínarterta (“Viennese [layer] cake”), more expensive than apple pie.

Coffee with cheese on toast, Coke with Prins Póló chocolate wafers and either fast food or sandwiches respectively furnish Hulda with breakfast, snack and supper foods.

Perhaps Hulda gives herself Icelandic cheese toastwiches with mysuostur (brown cheese, literally “whey cheese”) or skyr (cultured, fresh, yogurt-like cheese of curdled milk; “separated [from whey]”). Perhaps she has as toastwiches Icelandic flatbraud (“flat [unleavened rye] bread”), hrökkbraud (rye crispbread, “startled bread”), kartöflubraud (“potato bread”), laufabraud (“leaf bread”) or rúgbraud (“rye bread”). Ölgerdin Egill Skallagrímsson (“Egill Skallagrímsson Brewery”) initiated brewed products in 1913 and soda drinks in 1930, with Egils Appelsín (“Egil’s orange [soda]”) most popular since 1955.

Dimma, anglicized as The Darkness, joins 20th- and 21st-century American cuisine and ancient through 21st-century Icelandic cuisine into perhaps Americanized Icelandic cuisine, perhaps Icelandicized American cuisine.

A provisions store near her fourth-floor flat kindles Hulda keeping in her kitchen for evening and weekend snacks Coke and Prins Póló (“Polish Prince”) chocolate wafers.

Perhaps pre-widowed Hulda liked Icelandic ástarpungar (deep-fried doughnut balls, literally “love sacks”), bolla (“[Shrove Monday sweet] bun”), piparkökur (gingerbread, “pepper cookies”) and snúður (cinnamon bun, “twist”). She mentions hot lunches in the police station canteen, mushroom soup and toasted sandwiches in the Njardvík hostel for refugees and suppertime fast food and sandwiches. Fjallagrasamjólk (moss soup, “mountain-grass milk”), kjötsúpa (“meat soup”), rjúpasúpa (“ptarmigan soup”) and saltkjöt og baunir (split pea soup, “salt mutton and beans”) perhaps nourished pre-widowed Hulda.

Braudterta (savoury layer-cake sandwich, “bread cake”) triple-decker of cheese, cream, ham and mayonnaise over mayonnaise-filled, white-breaded layers offers sandwiches not occurring in Dimma, anglicized The Darkness.

Widowhood and widowerhood proceeding into possible re-marriages respectively prompt Hulda and fellow mountain-peregrinating pilgrim Pétur passing one evening at her place, the next time at his.

Ákavíti (aquavit, “water life”) and landi (moonshine, “land’s”) qualify as quintessential Icelandic alcohol even as retired, wealthy Dr. Pétur quests brandy and Hulda quarters red wine. Pétur, in his rich, roomy residence in Reykjavík’s (“smoky bay”) Fossvogur (“waterfall bay”) suburb, regales Hulda with barbecued, grilled lamb and with coffee and red wine. Their juices steam hangikjöt (smoked lamb, “hung meat”), hangilæri (cold-smoked, boiled leg of lamb, “hung leg”) and holugrillad lambalæri (ground-cooked leg of lamb, “hole-grilled lamb leg”).

Icelandic cuisine in Dimma, anglicized The Darkness, twins American cuisine in coffee and Coke, Polish cuisine in wafers and Norse bread, cheese, dessert, meat, soup traditions.

Hulda and her friend Pétur arrange time together around coffee and red wine. Pétur nevertheless asks first for brandy, whose etymology shares the same Old Norse root brenna as Brennivín ("burning wine"), Iceland's signature distilled beverage. Iceland awaits its first winery with the Westfjords Winery of Eyrardalur, Súdavík, Iceland, and Iowa City, Iowa, United States of America; Aug. 25, 2010, image of interior of Vínbúð ("wine shop"), Reykjavik, Iceland: Danninja, CC BY SA 3.0 Unported, via Wikimedia Commons

Acknowledgment

My special thanks to talented artists and photographers/concerned organizations who make their fine images available on the internet.

Dedication

This post is dedicated to the memory of our beloved blue-eyed brother, Charles, who guided the creation of the Met Opera and Astronomy posts on Earth and Space News. We memorialized our brother in "Our Beloved Blue-Eyed Brother, Charles, With Whom We Are Well Pleased," published on Earth and Space News on Thursday, Nov. 18, 2021, an anniversary of our beloved father's death.

Image credits:

Reykjavík Detective Inspector Hulda Hermannsdóttir appreciates apple pie with cream, cake and Prins Póló chocolate wafers. The experimental artist, songwriter and vocalist Svavar Pétur Eysteinsson assumes the name Prins Póló as a soloist away from his alternative rock band, Skakkamanage: Prins Polo in concert June 20, 2014, at Græni Hatturinn, Akureyri, northern Iceland: Øyvind Kolås, CC BY 4.0 International, via Wikimedia Commons @ https://commons.wikimedia.org/wiki/File:Prins_Polo.jpg

Hulda and her friend Pétur arrange time together around coffee and red wine. Pétur nevertheless asks first for brandy, whose etymology shares the same Old Norse root brenna as Brennivín ("burning wine"), Iceland's signature distilled beverage. Iceland awaits its first winery with the Westfjords Winery of Eyrardalur, Súdavík, Iceland, and Iowa City, Iowa, United States of America; Aug. 25, 2010, image of interior of Vínbúð ("wine shop"), Reykjavik, Iceland: Danninja, CC BY SA 3.0 Unported, via Wikimedia Commons @ https://commons.wikimedia.org/wiki/File:Vinbudin.JPG

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Dimma, Anglicized as The Darkness, Accesses Bishop Jón Vídalín For Us

Summary: Dimma, anglicized as The Darkness, as the first thriller in the three-book Hidden Iceland series by Ragnar Jónasson, accesses Bishop Jón Vídalín for us.

Anger accounts for three to four crimes in Dimma, anglicized as The Darkness. Author Ragnar Jónasson airs a famous quote about anger from Jón Thorkelsson Vídalín (1666-1720), acclaimed Skálholt Bishop (1698-1720), twice, as part of the front matter and within the text of his first thriller in the three-book Hidden Iceland series; 18th-century portrait of Jón Vídalín in National Museum of Iceland: Szilas, Public Domain, via Wikimedia Commons

Dimma, anglicized as The Darkness, as first thriller in the three-book Hidden Iceland series about Detective Inspector Hulda Hermannsdóttir by Ragnar Jónasson, accesses 16th- to 17th-century Lutheran Bishop Jón Vídalín for us.

Hulda Hermannsdóttir, as Detective Inspector in the Criminal Investigation Division (CID) of Hverfisgata police station in Reykjavík, brings up Skálholt Bishop (1698-1720) Jón Thorkelsson Vídalín (1666-1720). She considers Bishop Vídalín cautioning, “Rage, like a bolt from hell, twists a man’s limbs, kindles an inferno in his eyes” (2018: front matter page ix). She perhaps deals with personal and professional disappointments by distancing herself from police hierarchies and by dominating her impulses around family members, albeit all dead now.

Perhaps enduring enmity from childhood experiences and from two tragedies as a 40- and 42-year-old enrage Hulda so that she emphasizes effective ends by errant means.

Bishop Vídalín furnished faithful, forthright, friendly advice in his famous Húss-Postilla (“Sermons for the Home”) from 1718 to 1720, from which time 12 editions faithfully follow.

The Skálholt (“Bard’s Hill”) Bishop gave grounded guidelines to fellow Icelanders groaning from 16th- and 17th-century epidemics generating great hunger and poverty and for their descendants. He honed homey, honest homilies, practically and spiritually helpful, from pre-University, University and post-University homes respectively in Gardhur, southwestern Iceland; Copenhagen, Denmark; and Skálholt, southern Iceland. Country-folk instincts and intuitions in Gardhur (“garden, yard [identified by property boundary-indicative earthen walls]”) and Danish and Icelandic intelligence institutionalized in Copenhagen and Skálholt inspired him.

Dimma, anglicized as The Darkness, journeys Bishop Jón Vídalín, as judicious cultural icon, through three centuries to Hulda, whose jostling cold- and current-case criminals anger jeopardizes.

Knowing what his father, the learned physician and theologian Thorkel, and his grandfather, Arngrímur Jónsson the Learned (1568-June 27, 1648), knew kindled Vídalín’s moniker, Mágister Jón.

Mágister Jón (“Master John”) learned about Íslendingasögur (“Icelander Sagas”) from his learned father and his lauded grandfather and about Lutheran theology in the Danish capital city. Maturing in the Icelandic countryside never meant that Gardhur residents manifested intellectually miserable lifestyles since Landnámabók (“Book of Settlements”) mentions Gardhur among ninth- to 10th-century settlements. Perhaps Mágister Jón numbered among collateral and direct descendants of Steinunn Gamla, whom the medieval Icelandic manuscript noted as first Norseman to nestle into Gardhur niches.

Perhaps Hulda observes old insights into Dimma, anglicized as The Darkness, from Bishop Jón Vídalín because the latter’s family line originated with the first Icelandic occupancies.

The Book of Settlements preserves, as first populator of what we perceive as present-day Iceland, Ingólfr Arnarson (849?-910?), Steinunn’s cousin from Rivedal, Sunnfjord, Kingdom of Fjordane.

Fellow Icelanders quartered from the 18th century onward, even as Icelandic posterity quarters today, the Vídalín Sermons for the Home with the 50-poem Passíusálmar (“Passion Hymns”). The Passion Hymns represent daily reflections on Jesus Christ (6 B.C.E.-A.D. 31/33?) by Hallgrímur Pétursson (1614-Oct. 27, 1674) for workdays during the seven weeks of Lent. Fellow Icelanders sought the Pétursson passion hymns from their first publication in 1666 even as Icelandic posterity shows sustained support with their 68th edition in 1996.

Bishop Jón Vídalín, through Dimma, anglicized as The Darkness, tells us that tempers untamed, untended, untransformed trigger one terminating one life, another two, perhaps three lives.

Other structures no longer around accommodated Jón Thorkelsson Vídalín (1666-1720) as Skálholt Bishop (1698-1720). Both the existing exterior and the extant interior of Skálholt cathedral church are from its 20th-century construction (1956-1963), to acclaim the diocesan founding in 1056, 900 years earlier. The spacious interior nevertheless archives the 17th-century pulpit from which Brynjólfur Sveinsson (Sep. 14, 1605-Aug. 5, 1675), as Skálholt Bishop (1639-1674), and his successors articulated Lutheran beliefs and practices; general view of Skálholt and the cathedral in 2018: Leon petrosyan, CC BY SA 4.0 International, via Wikimedia Commons

Acknowledgment

My special thanks to talented artists and photographers/concerned organizations who make their fine images available on the internet.

Dedication

This post is dedicated to the memory of our beloved blue-eyed brother, Charles, who guided the creation of the Met Opera and Astronomy posts on Earth and Space News. We memorialized our brother in "Our Beloved Blue-Eyed Brother, Charles, With Whom We Are Well Pleased," published on Earth and Space News on Thursday, Nov. 18, 2021, an anniversary of our beloved father's death.

Image credits:

Anger accounts for three to four crimes in Dimma, anglicized as The Darkness. Author Ragnar Jónasson airs a famous quote about anger from Jón Thorkelsson Vídalín (1666-1720), acclaimed Skálholt Bishop (1698-1720), twice, as part of the front matter and within the text of his first thriller in the three-book Hidden Iceland series; 18th-century portrait of Jón Vídalín in National Museum of Iceland: Szilas, Public Domain, via Wikimedia Commons @ https://commons.wikimedia.org/wiki/File:Jón_Vídalín,_Bishop_of_Skálholt,_1698-1720.jpg

Other structures no longer around accommodated Jón Thorkelsson Vídalín (1666-1720) as Skálholt Bishop (1698-1720). Both the existing exterior and the extant interior of Skálholt cathedral church are from its 20th-century construction (1956-1963), to acclaim the diocesan founding in 1056, 900 years earlier. The spacious interior nevertheless archives the 17th-century pulpit from which Brynjólfur Sveinsson (Sep. 14, 1605-Aug. 5, 1675), as Skálholt Bishop (1639-1674), and his successors articulated Lutheran beliefs and practices; general view of Skálholt and the cathedral in 2018: Leon petrosyan, CC BY SA 4.0 International, via Wikimedia Commons @ https://commons.wikimedia.org/wiki/File:General_view_of_Skalholt_and_the_cathedral.jpg

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