Tuesday, May 24, 2022

Mistur, Anglicized The Mist, Acknowledges Halldór Laxness at Christmas


Summary: Mistur, anglicized The Mist, third thriller in the Hidden Iceland trilogy authored by Ragnar Jónasson, acknowledges Halldór Laxness at Christmas.


Einar (“old man”) Ingvar (“lance- [spear-]bearing god”) Hákonarson (“high descendant’s [offspring’s, son’s] son, horse clan’s [dynasty’s, kinship’s] son") added Halldór Laxness to his paintings of acclaimed painters, politicians, poets and prosaists in 1984. The Hákonarson (born Reykjavík, Jan. 14, 1945) painting approaches the 1955 awardee of the Noble Prize in Literature during his later memoir-writing (1980, 1987) and story-writing (1981, 1987, 1992, 1996) stages, after his novel-writing (1919, 1924, 1927, 1931, 1932, 1933, 1934, 1935, 1937, 1938, 1939, 1940, 1943, 1944, 1946, 1948, 1952, 1957, 1960, 1968, 1970, 1972), early story-writing (1923, 1933, 1935, 1942, 1954, 1964), essay- and travelogue-writing (1925, 1929, 1933, 1938), poetry-writing (1925, 1930), play-writing (1934-1972), saga-editing (1941, 1942, 1945, 1946, 1952), translating (1941, 1943, 1945, 1966) and early memoir-writing (1952, 1975, 1976, 1978) stages: Klettur at English Wikipedia, CC BY SA 3.0 Unported, via Wikimedia Commons

Mistur, anglicized The Mist, third thriller in the Hidden Iceland trilogy about Reykjavík Detective Inspector Hulda Hermannsdóttir by author Ragnar Jónasson, acknowledges Halldór Laxness at Christmas gift exchanges in rural southeast Iceland.
Jólabókaflóðið (Romanized Jólabókaflódid, Christmas book flood, "Yule book flood" literally) begins the Icelandic Christmas season, from the first Sunday in Advent through 12 days after Christmas. Bókatíðindi ("Journal of Books") comes free to all Icelandic households, such as Hulda’s in Álftanes (“swan peninsula”) and Erla’s near Höfn í Hornafirði (“horn fjord harbor”). That annual catalogue, Romanized Bókatídindi, discloses new books, which Icelanders delight in buying in November and distributing as Christmas gifts to read while downing hot chocolate.
Erla (“[grey] wagtail”) and Hulda Hermannsdóttir (“secrecy Herman’s [or unknown soldier’s] daughter”) never elaborate what books they elect for their respective daughters and their respective husbands.

Erla favors Halldór Laxness’ (“rock thunder salmon peninsula”) Þú vínviður hreini (1931, “O Thou Pure Vine”) and Fuglinn í fjörunni (1932, “The Bird on the Beach”).
Perhaps Erla gets Ljós heimsins (1937, "The Light of the World") and Höll sumarlandsins (1938, "The Palace of the Summerland"), Parts I-II of Heimsljós (“World Light”). Perhaps she also has, as Parts III-IV of Heimsljós (“World Light”), Hús skáldsins (1939, "The Poet's House") and Fegurð himinsins (1940, "The Beauty of the Skies"). Perhaps she investigated Laxness’ (April 28, 1909-Aug. 18, 1966) Landnámsmaður Íslands (1934, “Icelandic Pioneers”) and Erfiðir tímar (1935, "Hard Times"), Sjálfstætt fólk ("Independent People") Parts I-II.
Perhaps Erla in Mistur, anglicized The Mist, literarily joined Bjartur of Summerhouses in Sjálfstætt folk before Salka Valka Parts I-II about pure vines and beach birds.

Bjartur (“illustrious”), like Erla’s husband Einar (“old man”), keeps sheep and, like Erla, knows about unknown Icelanders, “unlikely” (Kolbert 2007: page 154) accidents and unrelenting snow.
Looking for one lost Icelandic sheep (Íslenska sauðkindin, Romanized Íslenska saudkindin, “Icelandic male [and] ewe”) leads Bjartur to land lodging one bull and three cow reindeer. He manages to mount the bull reindeer (hreindýr locally, Rangifer tarandus scientifically) until the latter moves into the northeastward-flowing Glacier River, which menaces Bjartur’s northeastward-bound missions. He nestles into snow drifts the first night even as Erla and her night lodger, Leó (lion”), Christmas Eve respectively niche snow drifts and family-car interiors.
Ballad heroes Bernotus Borneyarkappi, Gongu-Hrolfur, Grimer the Noble, Harekur and Ulfar the Strong and Halldór Laxness respectively occupy Bjartur and, in Mistur, anglicized The Mist, Erla.

Bjartur passes by the crofter’s and the crofter’s wife’s and son’s Brun farm proximitous to Glacierdale even as Leó peregrinates to Einarson (“old man’s son”) farm.
Bjartur and Leó quest quarters respectively with a “three-pint basin of milk” (Kolbert: 143) and night-meal food and with black coffee, meat stew and rye bread. Perhaps Erla relates to Laxness’ fourth-series books Íslandsklukkan (1943, “Iceland's Bell”), Hið ljósa man (1944, "The Bright Maiden") and Eldur í Kaupinhafn (1946, "Fire in Copenhagen"). Perhaps she saw, as a Reykjavíkingur her first 20 years, Snæfríður Íslandssól (1950, “Snow-Beautiful Iceland’s-Sun”), Laxness’ play scripted from Part I of the three-part Íslandsklukkan series.
Perhaps Erla (born 1947?), before Mistur, anglicized The Mist, treated herself to one to two Halldór Laxness tomes every Christmas since Laxness’ Nobel Prize in 1955.

A carved, quill-like pen adorns the tombstone of Halldór Kiljan (“[church, monastery] cell”) Laxness (born Halldór [“rock thunder”] Guðjónsson [Gudjon’s son, “good gracious God’s son” literally]). Laxness’ parents, Gudjón Helgi Helgason (Oct. 23, 1870-June 19, 1919) and Sigrídur Halldórsdóttir (Oct. 27, 1872-Sep. 17, 1951), anchored their family first in the city life of Reykjavík (“smoky bay”) and then in a large country home on Laxnes (“salmon peninsula”) farmland 20 kilometers (0.62 miles) away, in Mosfellsdalur (“Mosfell valley”). On the site of that family home now appears Mosfellskirkja (“Mosfell Church”), whose cemetery archives the casket of the only Nobel Prize awardee from Iceland: Granitsilber, CC BY SA 3.0 Unported, via Wikimedia Commons

Acknowledgment
My special thanks to talented artists and photographers/concerned organizations who make their fine images available on the internet.

Image credits:
Einar (“old man”) Ingvar (“lance- [spear-]bearing god”) Hákonarson (“high descendant’s [offspring’s, son’s] son, horse clan’s [dynasty’s, kinship’s] son") added Halldór Laxness to his paintings of acclaimed painters, politicians, poets and prosaists in 1984. The Hákonarson (born Reykjavík, Jan. 14, 1945) painting approaches the 1955 awardee of the Noble Prize in Literature during his later memoir-writing (1980, 1987) and story-writing (1981, 1987, 1992, 1996) stages, after his novel-writing (1919, 1924, 1927, 1931, 1932, 1933, 1934, 1935, 1937, 1938, 1939, 1940, 1943, 1944, 1946, 1948, 1952, 1957, 1960, 1968, 1970, 1972), early story-writing (1923, 1933, 1935, 1942, 1954, 1964), essay- and travelogue-writing (1925, 1929, 1933, 1938), poetry-writing (1925, 1930), play-writing (1934-1972), saga-editing (1941, 1942, 1945, 1946, 1952), translating (1941, 1943, 1945, 1966) and early memoir-writing (1952, 1975, 1976, 1978) stages: Klettur at English Wikipedia, CC BY SA 3.0 Unported, via Wikimedia Commons @ https://commons.wikimedia.org/wiki/File:Laxness_portrett_einar_hakonarson_1984.jpg
A carved, quill-like pen adorns the tombstone of Halldór Kiljan (“[church, monastery] cell”) Laxness (born Halldór [“rock thunder”] Guðjónsson [Gudjon’s son, “good gracious God’s son” literally]). Laxness’ parents, Gudjón Helgi Helgason (Oct. 23, 1870-June 19, 1919) and Sigrídur Halldórsdóttir (Oct. 27, 1872-Sep. 17, 1951), anchored their family first in the city life of Reykjavík (“smoky bay”) and then in a large country home on Laxnes (“salmon peninsula”) farmland 20 kilometers (0.62 miles) away, in Mosfellsdalur (“Mosfell valley”). On the site of that family home now appears Mosfellskirkja (“Mosfell Church”), whose cemetery archives the casket of the only Nobel Prize awardee from Iceland: Granitsilber, CC BY SA 3.0, via Wikimedia Commons @ https://commons.wikimedia.org/wiki/File:Halldor_Laxness_gravestone.JPG

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