Friday, August 23, 2019

Warli Wall Paintings: 200th Anniversary of Ajanta Cave Wall Paintings


Summary: Warli wall paintings advise their audiences and those in the 200th anniversary year of European-accessed Ajanta cave wall paintings of area animals.


Warli wall painting at Sanskriti Kendra Museum, Anandagram, New Delhi, National Capital Territory of Delhi, North India; March 2007: Abhishekjoshi, CC BY SA 3.0 Unported, via Wikimedia Commons

Warli wall paintings in the 200th anniversary year of European-accessed Ajanta cave wall paintings attest to a similar appreciation of animals, community and plants in the northern Sahyadri Hills, Maharashtra state, India.
Warli wall paintings belong to wooden architectural traditions behind the Warli people building inside walls of mud, thatched huts from earth, red bricks and tree branches. Ajanta cave wall paintings by anonymous artists, perhaps from northern India's Deccan Plateau between the Godavari and Kistna Rivers, correlate wooden architectural traditions with rock constructions. Their painted, plastered, sculpted surfaces divulge a stonecutter's experience and expertise as a woodworker of beamed ceilings, latticed windows, planked floors, privacy doors and wood-framed niches.
Ajanta cave wall paintings and Warli wall paintings express architectural and artistic traditions elaborated by ancient artisans and artists on extant cave, rock and stone paintings.

Ajanta cave wall paintings feature blue from imported lapis lazuli, green from ironized soils, lamp-black from sooty residues and red and yellow ocher from pigmented soils.
The 1,300- to 2,300-year-old Ajanta cave wall paintings get white from lime whereas two-color Warli wall paintings garner a diluted rice paste with a gum binder. Warli wall paintings have a canvas-like surface of red ocher from wall-building materials and white pigment from bamboo sticks with one end chewed for paintbrush-like strokes. The village context in the northern and western extensions of the Sahyadri Hills in Maharashtra state informs the implements, models and themes of Warli wall paintings.
Sudden termination of work in the first- and second-phase excavations and time jeopardize any such transparency for Ajanta cave wall paintings in their 200th anniversary year.

William Dalrymple, in The Ajanta Cave Murals for The Guardian Aug. 15, 2014, keys in as Ajanta models "the same people who inhabit western India today."
Warli wall paintings perhaps look for models in 2,500- to 30,000-year-old geometric figures in Bhimbetka (from Sanskrit भीमबेटका, "sitting place of [tall hero-god] Bhima") rock shelters. They manifest circles for moons and suns; squares for land parcels, as their name's meaning, and sacred enclosures; and triangles for animals, mountains, peoples and trees. Wasp-waisted female and male figures respectively net hair buns atop their necks and smaller inverted upper-body than upright lower-body triangles versus bigger upper-body than lower-body triangles.
Ajanta cave wall paintings in their 200th anniversary year offer as overriding themes Siddhartha Gautama (624?-544 B.C.?), whose 200th enlightenment-seeking reincarnation occasioned enlightened teaching as Buddha.

Warli wall paintings pursue as traditional themes bodhi trees (Ficus religiosa); the mother goddess Palaghata; and villagers performing circle dances around male players of trumpet-like tarpas.
Warli wall paintings quarter a central devchowk (from Marathi देव, "divine" and चौक, "square") or lagnachowk (wedding square, from Marathi लग्न, "coming together" and चौक, "square"). They reveal dancing after rice harvests to tarpa music's two notes, for clockwise  or counterclockwise revolutions; farming; fishing; hunting; and playing belled staffs and zither-like ganghli. Female artists and, since the 1970s, male painters suggest in respectively traditional and modern cultural shares initiation of children as community-based, forest-loving tribals; marriage; and death.
Warli wall paintings tender some animals and plants that thrived around and in the Ajanta cave wall paintings before their 200th anniversary year of European access.

Warli wall painting at Mahatma Gandhi's Sabarmati Ashram, Ahmedabad, Gujarat, northwestern India; Saturday, Jan. 28, 2006, 12:58: Nichalp, CC BY SA 2.5 Generic, via Wikimedia Commons

Acknowledgment
My special thanks to talented artists and photographers/concerned organizations who make their fine images available on the internet.

Image credits:
Warli wall painting at Sanskriti Kendra Museum, Anandagram, New Delhi, National Capital Territory of Delhi, North India; March 2007: Abhishekjoshi, CC BY SA 3.0 Unported, via Wikimedia Commons @ https://commons.wikimedia.org/wiki/File:Painted_prayers,_Warli_paintings,_at_Sanskriti_Kendra,_Anandagram,_New_Delhi.jpg
Warli wall painting at Mahatma Gandhi's Sabarmati Ashram, Ahmedabad, Gujarat, northwestern India; Saturday, Jan. 28, 2006, 12:58: Nichalp, CC BY SA 2.5 Generic, via Wikimedia Commons @ https://commons.wikimedia.org/wiki/File:Warli-art-2.jpg

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