Endgame Universes Crunch, Rip or Inactivate Bang! The Complete History

Summary: Endgame universes add crunch, rips or inactivity in Chapter 7 of Bang! The Complete History of the Universe by Chris Lintott, Brian May and Patrick Moore.

Parallel universes may or may not survive Big Crunch or Big Rip endgames; colorized version of an unknown artist's artwork, known as the Flammarion Woodcut, illustrates the discovery of the meeting point of Heaven and Earth by a missionary in the Middle Ages; Camille Flammarion, L'Atmosphère: Météorologie Populaire (1888), page 163: Hugo Heikenwaelder, CC BY SA 2.5 Generic, via Wikimedia Commons

Endgame universes acquit gravity or the cosmological constant in Chapter 7 The End of the Universe of Bang! The Complete History of the Universe by Chris Lintott, Brian May and Patrick Moore.

Gravity brakes expansion, brandishes blue-shifted spectra of galaxies backing toward us, begets rising temperatures and colliding galactic clusters, brightens the sky and brokers the Big Crunch. The Big Crunch configures all space, matter and time into a backward, inward, reverse Big Bang or commences a constant cycle of Big Bang, Big Crunch. Current evidence describes too little dark and ordinary matter for gravity, more debile than the cosmological constant accelerant, to detain and drive backward the expanding Universe.

Galactic members embrace gravity even as the accelerating, repulsive cosmological constant exiles galaxies and galactic clusters, explodes brilliant stars into feebler remnants and encourages black holes.

Ten trillion (10¹³) years hence no nuclear reserves fuel stars even as gravity fits black dwarf stars into closer flybys and orbiting stars into galactic centers.

Orbiting stars generate gravitational waves, energy losses and supermassive black holes as they gravitate into galactic, galactic supercluster centers and Local Group and Virgo Cluster centers. Another 100 quintillion (10²⁰) years hence harvest photons, ghost planets, elementary particles, dead stars and, headquartered every 100 times the present observable Universe's extent, black holes. Perhaps virtual particles, paired but co-annihilating because identical but opposite-charged, with lifetimes too short to itinerate into ordinary matter, inhabit the vacuums of volumes of space.

Perhaps endgame universes jump one of a paired virtual antiparticle and particle across, and the other outside, the event horizon of no escape from its black hole.

Endgame universes perhaps kill black holes since kicked-out particles, known as (Stephen) Hawking radiation, keep reducing black-hole mass and event-horizon radius, all the way to nothing.

Endgame universes one decillion (10³³) years from our 10-billion-year-old (10¹⁰) Universe lodge elementary particles and, as quarks, antielectrons labeled positrons, and pions, photons with decillion-year lifetimes. Unvigintillion (10⁶⁶) years hence manifest such a dilution of space matter that typical electrons maintain average interelectron distances 100,000 times the present examinable Universe's measurable radius. One googol (10¹⁰⁰) to 100 septentrigintillion (10¹¹⁶) years hence changeless, double or halted cosmological constants nestle particles, decayed into radiation, in cooler, darker, non-happening endgame universes.

An ever-increasing cosmological constant opens up space without matter, operates on large scales on galactic clusters and overcomes intragalactic gravity on small scales in endgame universes.

An ever-increasing cosmological constant presents endgame universes with the Big Rip pulling stars, plants and atoms apart into particles and radiation, Big Bang-like but less dense.

Gravitational containment and repulsive acceleration qualify endgame universes as quit of the quintessentially ordered complexity that the Big Bang queued up with space, matter and time. Scientific observations and theories relegate Earth and Earthly life to shelf lives more restricted than final or repeat-cycle Big Crunch and inactive Big Rip endgame universes. Parallel universes that suggest different births, compositions, timescales and dimensions that sabotage interuniverse contact perhaps survive what subverts our sustainability or shares similar endings or inactivity.

Theorized treks from Big-Banged, inflated, then expanding space, to first light, stars, galaxies, planets and life perhaps transmit less traumatic endgame universes with technology and time.

Animator Roger Chiasson created the artwork for A Kind of Magic, released June 2, 1986, as British rock band Queen's 12th studio album, first digitally recorded album and second soundtrack-based album (with six songs from 1986 film Highlander): badgreeb RECORDS, CC BY SA 2.0 Generic, via Flickr

Acknowledgment

My special thanks to talented artists and photographers/concerned organizations who make their fine images available on the internet.

Image credits:

Colorized version of an unknown artist's artwork, known as the Flammarion Woodcut, illustrates the discovery of the meeting point of Heaven and Earth by a missionary in the Middle Ages; Camille Flammarion, L'Atmosphère: Météorologie Populaire (1888), page 163: Hugo Heikenwaelder, CC BY SA 2.5 Generic, via Wikimedia Commons @ https://commons.wikimedia.org/wiki/File:Universum.jpg;
Public Domain, via BnF (Bibliothèque nationale de France) Gallica @ https://gallica.bnf.fr/ark:/12148/bpt6k408619m/f168.item.texteImage;
Public Domain, via Public Domain Review @ https://publicdomainreview.org/collection/flammarion-engraving/;
via Internet Archive @ https://archive.org/details/McGillLibrary-125043-2586/page/n176/mode/1up

Animator Roger Chiasson created the artwork for A Kind of Magic, released June 2, 1986, as British rock band Queen's 12th studio album, first digitally recorded album and second soundtrack-based album (with six songs from 1986 film Highlander): badgreeb RECORDS, CC BY SA 2.0 Generic, via Flickr @ https://www.flickr.com/photos/badgreeb_records/6432453169/

For further information:

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Available @ https://earth-and-space-news.blogspot.com/2012/11/star-formation-acts-local-on-bang.html

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