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Monday, September 26, 2022

Quinn Kelsey Has Tallied Nine Met Roles, Seven Operas, 90 Performances


Summary: Prior to Met Opera's 2022-2023 season, Hawaiian baritone Quinn Kelsey has tallied nine Met roles, seven operas and 90 performances in eight seasons.


Verdi's Rigoletto qualifies as Quinn Kelsey's most performed opera at Met Opera; he sang distraught Count Monterone in 10 performances in the 2010-2011 season; he switched to the title role for 11 performances in the 2021-2022 season; he makes his first reprisal of the dishumored jester in seven performances in Met Opera's 2022-2023 season: The Metropolitan Opera, via Facebook Dec. 30, 2021

Prior to the Metropolitan Opera's 2022-2023 season, native Hawaiian baritone Quinn Kelsey has tallied nine Met roles, seven operas and 90 performances in eight seasons, spread across 14 years.
Met Opera's 2007-2008 season debuted 110 performers and production team members. Baritones accounted for 13 of the debuts.
Quinn Kamakanalani Kelsey (born March 7, 1978) numbered as the season's 12th debuting baritone. He made his Metropolitan Opera debut Saturday, March 29, 2008, as Schaunard in the opera company's 1,194th performance of La Bohème by Italian opera composer Giacomo Puccini (Dec. 22, 1858-Nov. 29, 1924). He sang the role of the bohemian musician in six of the opera's seven performances in the 2007-2008 season. Kelsey's Schaunard appeareed in the first four (Saturday, March 29; Tuesday, April 1; Saturday, April 5; Wednesday, April 9) and last two (Tuesday, April 15; Friday, April 18) of the opera's seven performances in the 2007-2008 season.
Three seasons later, Kelsey returned to Met Opera for his second opera and second role. He sang the paternal role of Count Monterone, curser of jesting Rigoletto and of the jester's patron, the seduction-fixated Duke of Mantua, in Rigoletto by Italian opera composer Giuseppe Verdi (Oct. 10, 1813-Jan. 27, 1901). The 2010-2011 season offered 15 performances of Rigoletto, with Kelsey singing Monterone in the last 10 (Tuesday, Jan. 11; Saturday, Jan. 15; Tuesday, Jan. 18; Saturday, Jan. 22; Thursday, Jan. 27; Tuesday, April 26; Saturday, April 30; Tuesday, May 3; Friday, May 6; Thursday, May 12).
After an absence of three seasons, Kelsey returned for two operas in Met Opera's 2014-2015 season. His return added a third opera and two role debuts to his Met repertoire.
Kelsey revisited his first Met opera, La Bohème, for his third Met role debut. His switch from musical Schaunard to painterly Marcello also added a second role to his La Bohème portfolio at Met Opera. He sang Marcello in the first four (Tuesday, Sep. 23; Friday, Sep. 26; Monday, Sep. 29; Saturday, Oct. 4) of the 2014-2015 season's 15 performances of Puccini's poignant, popular bohemian opera.
Kelsey's third Met opera and fourth Met role debut occurred in Verdi's La Traviata as Giorgio Germont, a father who, tragically later than sooner, accepts the true love shared by his son, Alfredo, and courtesan Violetta Valéry. The 2014-2015 season offered 12 performances of La Traviata, with Kelsey as the paternal Germont in the first nine (Thursday, Dec. 11, 2014; Tuesday, Dec. 16; Friday, Dec. 19; Monday, Dec. 22; Saturday, Dec. 27; Tuesday, Dec. 30; Wednesday, Jan. 7, 2015; Saturday, Jan. 10; Wednesday, Jan. 14).
The specifics of Quinn Kelsey's appearances in Met Opera's 2014-2015 season included the addition of a second Verdi opera to the native Hawaiian baritone's Met repertoire. Of his four roles, two were paternal, as Rigoletto's Count Monterone and as La Traviata's Giorgio Germont. Also, his 13 performances (4 La Bohème plus 9 La Traviata) increased his total Met performances from 16 pre-2014 performances (6 La Bohème in 2008 plus 10 Rigoletto in 2011) to 29.
Kelsey's first reprisal of his second La Bohème role occurred consecutively. In the 2015-2016 season the opera received 16 performances, with Kesley singing Marcello in the seventh through 11th performances (Wednesday, Jan. 6; Saturday, Jan.9; Wednesday, Jan. 13; Saturday, Jan. 16; Tuesday, Jan. 19). His five performances increased his Met Opera performance tally to 34.
After an absence of one season, Kelsey returned to Met Opera for three operas. The 2017-2018 season added three operas and three role debuts to his Met Opera repertoire. The season also initiated a set of three consecutive seasons (2017-2018, 2018-2019, 2019-2020) as a Met Opera performer for Kelsey.
Kelsey's fifth Met role debut occurred in his fourth Met opera, Hänsel und Gretel by German composer Engelbert Humperdinck (Sep. 1, 1854-Sep. 27, 1921), as Peter, the broom-making father of two Gingerbread Witch-defeating children. In the 2017-2018 season, the fairy tale opera received seven performances, with Kelsey singing paternally in the first three (Monday, Dec. 18, 2017; Friday, Dec. 22; Tuesday, Dec. 26) and last three (Saturday, Dec. 30; Monday, Jan. 1, 2018; Saturday, Jan. 6).
Kelsey's appearances as Count di Luna in Verdi's Il Trovatore qualified as his sixth Met role debut and his fifth Met opera. In the 2017-2018 season, Il Trovatore received eight performances, with Kelsey as the unknowingly fratricidal Count di Luna in the first four (Monday, Jan. 22; Friday, Jan. 26; Tuesday, Jan. 30; Saturday, Feb. 3).
Lucia di Lammermoor by Italian opera composer Gaetano Donizetti (Nov. 29, 1797-April 8, 1848) numbered as Kelsey's sixth Met opera. The tragical opera's Lord Enrico Ashton, whose uncompromising decisions unhinge his sister, provided him with his seventh Met role debut. In the 2017-2018 season, the 17th century Scotland-themed opera received 12 performances, with Kelsey singing Enrico in the last five performances (Wednesday, April 25; Saturday, April 28; Wednesday, May 2; Saturday, May 5; Thursday, May 10).
Kelsey's appearances in the 2017-2018 season profiled as his third Verdi opera, his third paternal role (Peter) and his first two fraternal roles (Count di Luna, Enrico). His 15 appearances (6 Hänsel und Gretel plus 4 Il Trovatore plus 5 Lucia) increased his total Met performances to 49.
In the following season, 2018-2019, Kelsey sang in two operas. The season provided Kelsey with his seventh Met opera, his eighth Met role debut, his fourth paternal role and his first reprisal of a Verdi role.
Kelsey's eighth Met role debut occurred as Amonasro, King of Ethiopia and Princess Aida's father, in his seventh Met opera, Verdi's Aida. The compelling, ancient Egypt-themed opera received 14 performances, with Kelsey as Amonasro in the first seven (Wednesday, Sep. 26, 2018; Saturday, Sep. 29; Tuesday, Oct. 2; Saturday, Oct. 6; Thursday, Oct. 11; Monday, Oct. 15; Thursday, Oct 18) and last three (Thursday, Feb. 28, 2019; Monday, March 4; Thursday, March 7) performances.
Kelsey's reprisal of La Traviata's Germont marked his first reprisal of a Verdi role. In the 2018-2019 season, the opera received 15 performances, with Kelsey as Giorgio Germont in the first eight performances (Tuesday, Dec. 4; Friday, Dec. 7; Tuesday, Dec. 11; Saturday, Dec. 15; Tuesday, Dec. 18; Saturday, Dec. 22; Wednesday, Dec. 26; Saturday, Dec. 29).
The 2018-2019 season detailed as Kelsey's fourth Verdi opera and as paternal roles in both of the operas in which he performed. The season's tally of 18 Kelsey performances (10 Aida plus 8 La Traviata) increased his career Met performance total to 67. Both of his roles were paternal.
The subsequent season, 2019-2020, brought Kelsey back to Met Opera for one opera. His revisit to Verdi's La Traviata numbered as his second reprisal of the role of Giorgio Germont. La Traviata's revival received 12 performances, with Kelsey singing the paternal role in the first eight (Friday, Jan. 10, 2020; Tuesday, Jan. 14; Saturday, Jan. 18; Thursday, Jan. 23; Sunday, Jan. 26; Friday, Jan. 31; Monday, Feb. 3; Friday, Feb. 7). His eight Germont appearances increased his career Met performance total to 75.
After an absence of one season, Kelsey returned to Met Opera in the 2021-2022 season for two operas. His appearances qualified as one Met role debut of a new paternal role and one reprisal.
Kelsey achieved his ninth Met Opera role debut in the title role in Verdi's Rigoletto. His switch from his 2010-2011 season portrayal of paternal Count Monterone to paternal Rigoletto in the 2021-2022 season added a second role to his Rigoletto portfolio at the Metropolitan Opera. The tragic opera, transplanted from Verdi's 16th century north central Italy to American theater director Bartlett Sher's reimagined 1920s Weimar Germany, received 14 performances, with Kelsey in 11. Kelsey sang the title role in the new production's opening night (New Year's Eve, Friday, Dec. 31, 2021) and in the last 10 performances (Saturday, Jan. 15, 2022; Wednesday, Jan. 19; Saturday, Jan. 22; Tuesday, Jan. 25; Saturday, Jan. 29; Saturday, May 28; Wednesday, June 1; Saturday, June 4; Wednesday, June 8; Saturday, June 11).
His appearances in his second 2021-2022 season opera, Puccini's La Bohème, signaled Kelsey's second reprisal of painterly Marcello. Puccini's bohemian Paris-situated, poignant opera received 15 performances, with Kelsey's Marcello in the last four (Monday, May 16, 2022; Friday, May 20; Tuesday, May 24; closing night, Friday, May 27).
His 2021-2022 season's clinches of ninth Met role debut and second Puccini role reprisal contributed 15 performances (11 Rigoletto plus 4 La Bohème) to Kelsey's Met Opera repertoire. At the end of the season, Kelsey tallied nine Met role debuts, seven operas and 90 performances.
Kelsey's Met Opera repertoire emphasizes Verdian operas, with five Verdian role debuts in four Verdian operas. The Verdi preponderance in Kelsey's Met repertoire correlates with artist and now retired Hawai'i Public Radio reporter and co-host Noe Tanigawa's description of Quinn Kelsey as "fast becoming the Rigoletto and Verdi Baritone of his generation" in "Quinn Kelsey: That Hawaiian Baritone," published Aug. 21, 2018, for Hawai'i Public Radio's Culture & Arts section.

Bartlett Sher's new production of Verdi's Rigoletto, modernly reset from 16th century north central Italy to 1920s Weimar Germany, debuted in the 2021-2022 season and featured Quinn Kelsey (kneeling, center) in the title role; Michael Yeargan, set designer, and Catherine Zuber, costume designer: The Metropolitan Opera, via Facebook Jan. 28, 2022

Acknowledgment
My special thanks to talented artists and photographers/concerned organizations who make their fine images available on the internet.

Dedication
This post is dedicated to the memory of our beloved blue-eyed brother, Charles, who guided the creation of the Met Opera and Astronomy posts on Earth and Space News. We memorialized our brother in "Our Beloved Blue-Eyed Brother, Charles, With Whom We Are Well Pleased," published on Earth and Space News on Thursday, Nov. 18, 2021, an anniversary of our beloved father's death.

Image credits:
Verdi's Rigoletto qualifies as Quinn Kelsey's most performed opera at Met Opera; he sang distraught Count Monterone in 10 performances in the 2010-2011 season; he switched to the title role for 11 performances in the 2021-2022 season; he makes his first reprisal of the dishumored jester in seven performances in Met Opera's 2022-2023 season: The Metropolitan Opera, via Facebook Dec. 30, 2021, @ https://www.facebook.com/photo/?fbid=10165976408660533&set=pb.100044543344646.-2207520000..
Bartlett Sher's new production of Verdi's Rigoletto, modernly reset from 16th century north central Italy to 1920s Weimar Germany, debuted in the 2021-2022 season and featured Quinn Kelsey (kneeling, center) in the title role; Michael Yeargan, set designer, and Catherine Zuber, costume designer: The Metropolitan Opera, via Facebook Jan. 28, 2022, @ https://www.facebook.com/photo/?fbid=10166056126915533&set=pb.100044543344646.-2207520000..

For further information:
Cruz, Catherine; and Noe Tanigawa. "HPR's Noe Tanigawa bids farewell after 19 years with a final look at the latest arts and culture." Hawai'i Public Radio > Talk > The Conversation. March 15, 2022.
Available @ https://www.hawaiipublicradio.org/the-conversation/2022-03-15/noe-tanigawa-shares-the-latest-arts-happenings-and-bids-farewell-after-19-years
"Debut: Elina Garanca, José Manuel Zapata, John Moore." MetOpera Database > [Met Performance] CID: 352298 Il Barbiere di Siviglia {565} Metropolitan Opera House: 01/12/08.
Available @ http://archives.metoperafamily.org/archives/scripts/cgiip.exe/WService=BibSpeed/fullcit.w?xCID=352298
"Debut: Marco Di Felice." MetOpera Database > [Met Performance] CID: 352262 Un Ballo in Maschera {280} Metropolitan Opera House: 12/21/2007.
Available @ http://archives.metoperafamily.org/archives/scripts/cgiip.exe/WService=BibSpeed/fullcit.w?xCID=352262
“Debut: Quinn Kelsey.” MetOpera Database > [Met Performance] CID: 352451 La Bohème {1194} Metropolitan Opera House: 03/29/2008.
Available @ http://archives.metoperafamily.org/archives/scripts/cgiip.exe/WService=BibSpeed/fullcit.w?xCID=352451
"Debut: Stephen Gaertner." MetOpera Database > [Met Performance] CID: 352086 Lucia di Lammermoor {561} Metropolitan Opera House: 10/05/2007.
Available @ http://archives.metoperafamily.org/archives/scripts/cgiip.exe/WService=BibSpeed/fullcit.w?xCID=352086
"Debuts: Aleksei Markov, Marina Poplavskaya, Keith Jameson, Ekaterina Gubanova, Vitaliy Bilyy, Alexander Morozov, Todd Thomas, Lucas Meachem, Jennifer Zetlan, Samuel Dylan Rosner, Jeffrey Roger, Scott Graham, Michael Gomborone, Ashley Kohl." MetOpera Database > [Met Performance] CID: 352228 War and Peace {11} Metropolitan Opera House: 12/10/2007.
Available @ http://archives.metoperafamily.org/archives/scripts/cgiip.exe/WService=BibSpeed/fullcit.w?xCID=352228
"Debuts: Diego Matamoros, Jeremy Little, Kirk Eichelberger, Philip Horst." MetOpera Database > [Met Performance] CID: 352448 The Gambler {7} Metropolitan Opera House: 03/27/2008.
Available @ http://archives.metoperafamily.org/archives/scripts/cgiip.exe/WService=BibSpeed/fullcit.w?xCID=352448
"Debuts: John Doyle, Scott Pask, Ann Hould-Ward, Leah Partridge, Teddy Tahu Rhodes, Logan William Erickson." MetOperaDatabase > [Met Performance] CID: 352389 New Production Peter Grimes {65} Metropolitan Opera House: 02/28/2008.
Available @ http://archives.metoperafamily.org/archives/scripts/cgiip.exe/WService=BibSpeed/fullcit.w?xCID=352389
"Debuts: Kazushi Ono, Andrzej Dobber, Courtney Mills, Norbert De La Cruz." MetOpera Database > [Met Performance] CID:352071 Aida {1094} Matinee ed. Metropolitan Opera House: 09/29/2007.
Available @ http://archives.metoperafamily.org/archives/scripts/cgiip.exe/WService=BibSpeed/fullcit.w?xCID=352071
"Debuts: Laurent Pelly, Chantal Thomas, Joël Adam, Laura Scozzi, Agathe Mélinand, Donald Maxwell, Marian Seldes, Jack Wetherall." MetOpera Database > [Met Performance] CID: 352500 New Production La Fille du Régiment {89} Metropolitan Opera House: 04/21/2008.
Available @ http://archives.metoperafamily.org/archives/scripts/cgiip.exe/WService=BibSpeed/fullcit.w?xCID=352500
"Debuts: Luca Salsi, Kevin Augustine, Tom Lee." MetOpera Database > [Met Performance] CID: 352090 Madama Butterfly {813} Metropolitan Opera House: 10/08/2007.
Available @ http://archives.metoperafamily.org/archives/scripts/cgiip.exe/WService=BibSpeed/fullcit.w?xCID=352090
"Debuts: Vasili Ladyuk, Irina Mataeva." MetOpera Database > [Met Performance] CID: 352233 War and Peace {13} Metropolitan Opera House: 12/15/2007..
Available @ http://archives.metoperafamily.org/archives/scripts/cgiip.exe/WService=BibSpeed/fullcit.w?xCID=352233
Lee Andrea. "Art on the Avenue with Noe Tanigawa." Flux > Culture > Arts.
Available @ https://fluxhawaii.com/art-avenue-noe-tanigawa/
Marriner, Derdriu. "Aida Is the May 4, 2019, Metropolitan Opera Saturday Matinee Broadcast." Earth and Space News. Monday, April 29, 2019.
Available @ https://earth-and-space-news.blogspot.com/2019/04/aida-is-may-4-2019-metropolitan-opera.html
Marriner, Derdriu. "Hansel and Gretel Is Jan. 6, 2018, Met Opera Saturday Matinee Broadcast." Earth and Space News. Monday, Jan. 1, 2018.
Available @ https://earth-and-space-news.blogspot.com/2018/01/hansel-and-gretel-is-jan-6-2018-met.html
Marriner, Derdriu. "Il Trovatore Is Feb. 3, 2018, Met Opera Saturday Matinee Broadcast." Earth and Space News. Monday, Jan. 29, 2018.
Available @ https://earth-and-space-news.blogspot.com/2018/01/il-trovatore-is-feb-3-2018-met-opera.html
Marriner, Derdriu. "La Bohème Is Met Opera's Jan. 22, 2022, Saturday Matinee Broadcast." Earth and Space News. Monday, Jan. 17, 2022.
Available @ https://earth-and-space-news.blogspot.com/2022/01/la-boheme-is-met-operas-jan-22-2022.html
Marriner, Derdriu. "La Traviata Is Jan. 18, 2020, Met Opera Saturday Matinee Broadcast." Earth and Space News. Monday, Jan. 13, 2020.
Available @ https://earth-and-space-news.blogspot.com/2020/01/la-traviata-is-jan-18-2020-met-opera.html
Marriner, Derdriu. "La Traviata Is the Dec.15, 2018, Met Opera Saturday Matinee Broadcast." Earth and Space News. Monday, Dec. 10, 2018.
Available @ https://earth-and-space-news.blogspot.com/2018/12/la-traviata-is-dec15-2018-met-opera.html
Marriner, Derdriu. "Lucia di Lammermoor Is April 7, 2018, Met Opera Saturday Matinee Broadcast." Earth and Space News. Monday, April 2, 2018.
Available @ https://earth-and-space-news.blogspot.com/2018/04/lucia-di-lammermoor-is-april-7-2018-met.html
Marriner, Derdriu. "Met Opera's 2021-2022 Season Has 28 Saturday Matinee Broadcasts." Earth and Space News. Monday, Nov. 22, 2021.
Available @ https://earth-and-space-news.blogspot.com/2021/11/met-operas-2021-2022-season-has-28.html
Marriner, Derdriu. "Quinn Kelsey Sings Amonasro, Marcello, Rigoletto at Met in 2022-2023." Earth and Space News. Monday, Sep. 19, 2022.
Available @ https://earth-and-space-news.blogspot.com/2022/09/quinn-kelsey-sings-amonasro-marcello.html
Marriner, Derdriu. "Rigoletto Is Met Opera's Jan. 29, 2022, Saturday Matinee Broadcast." Earth and Space News. Monday, Jan. 24, 2022.
Available @ https://earth-and-space-news.blogspot.com/2022/01/rigoletto-is-met-operas-jan-29-2022.html
The Metropolitan Opera. "Photo by Cory Weaver / Met Opera." Facebook. Jan. 9, 2022.
Available @ https://www.facebook.com/photo/?fbid=10166004346010533&set=pb.100044543344646.-2207520000..
The Metropolitan Opera. "Photo by Ken Howard / Met Opera." Facebook. Dec. 30, 2021.
Available @ https://www.facebook.com/photo/?fbid=10165976408660533&set=pb.100044543344646.-2207520000..
The Metropolitan Opera. "Photo by Ken Howard / Met Opera." Facebook. Jan. 28, 2022.
Available @ https://www.facebook.com/photo/?fbid=10166056126915533&set=pb.100044543344646.-2207520000..
PBS Hawai'i. "Quinn Kelsey / Long Story Short with Leslie Wilcox." YouTube. July 13, 2017.
Available @ https://www.youtube.com/watch?v=uy_NA2-GFoY
Tanigawa, Noe. "Quinn Kelsey: That Hawaiian Baritone." Hawai'i Public Radio > News > Culture & Arts. Aug. 21, 2018.
Available @ https://www.hawaiipublicradio.org/arts-culture/2018-08-21/quinn-kelsey-that-hawaiian-baritone
U.S. Department of State Art in Embassies. "Noe Tanigawa." Art in Embassies > Personnel.
Available @ https://art.state.gov/personnel/noe_tanigawa/


Sunday, September 25, 2022

Hawaiian Fords Never Accelerated on Blind Curves Like on NCIS: Hawai’i


Summary: Hawaiian Fords never accelerated on Blind Curves like Monday, Sep. 26, 2022, on season 2 episode 2 of police procedural television series NCIS: Hawai’i.


Gustav Adolph Schuman (July 6, 1867-May 24, 1930) added the first Hawaiian Fords to the automobiles already admired by affluent abiders of Honolulu, Oahu island, Hawaii state (from Hawaiian hono lulu, "bay sheltered"; o'ahu, "gathering place"; ha wai 'i, "breath life-force supreme"). He admired a Pope-Turbine, which he admitted into Honolulu after its airing at the World Exposition April 30, 1903 in St. Louis, Missouri. He nevertheless alerted Hawaiian islanders to Ford automobiles with one Ford January 1905 and 12 more by April 1905; Friday, Aug. 24, 2012, 15:50, image of "A 1903 Ford Model A on display at the Henry Ford Museum in Dearborn, Michigan (United States).": Michael Barera, CC BY SA 4.0 International, via Wikimedia Commons

Hawaiian Fords, among the earliest automobiles in the Hawaiian archipelago, never accelerated on Blind Curves like Monday, Sep. 26, 2022, on season 4 episode 2 of police procedural television series NCIS: Hawai’i.
The 24th episode overall, directed by Yangzom Brauen and written by Matt Bosack, bares the black market in and the brutality brandished by illegal street racing. The Hawaiian archipelago configured cherished, 19th-century competitions in horse-drawn carriages, on bicycles and with horses before car drivers and jogging, running, walking counterparts crossed finish lines. Politician Henry Baldwin (Aug. 29, 1842-July 8, 1911) and businessman Edward Tenney (Jan. 26, 1859-April 29, 1934) drove the first Hawaii-domiciled Locomobile Sunday, Oct. 8, 1899.
The Locomobile Company of America of Watertown, Massachusetts, 1899-1903, and Bridgeport, Connecticut, 1900-1922, enjoyed 30-year-long Honolulu (from Hawaiian hono lulu, “bay sheltered”) enthusiasm for locomotive automobiles.

Automobile and cultural histories align politician Henry Baldwin (Aug. 29, 1842-July 8, 1911) and businessman Edward Tenney (Jan. 26, 1859-April 29, 1934) with the first Hawaiian automobiles. The two latter amazed Honoluluans with the first Hawaii-domiciled Locomobile Sunday, Oct. 8, 1899; "'These well-known cars, product of America's foremost manufacturers, have adopted Firestones as standard or optional equipment', the July 3, 1920 Country Gentleman ad stated. None of the 40 cars on these 2 pages are made today," The Country Gentleman, vol. LXXXV, no. 27 (July 3, 1920), pages 28-29: Don O'Brien, CC BY 2.0 Generic, via Wikimedia Commons

Ford Motor Company already found favorable markets before Locomobile marques of affordable, small, steam-engine cars and internal combustion-fired, luxury automobiles respectively finished in 1903 and 1929.
Henry Ford (July 30, 1863-April 7, 1947) gauged Hawaii Territory (Panalāʻau o Hawaiʻi, “colony, dependency, province, territory of Hawaii”) as good for inexpensive, mass-produced, well-built cars. He honed his company in Detroit, Michigan, in 1903, when Amzi Lorenzo Barber (June 22, 1843-April 17, 1909) headed Locomobile Company of America toward high-income households. Ford cars interested Honolulu inhabitants of Oahu (from Hawaiian o’ahu, “gathering place”) island, Hawaii (from Hawaiian ha wai ‘i, “breath life-force supreme”) territory, within two years.
No Blind Curves such as on NCIS: Hawai’i or traffic jams such as on the H-1 freeway at Middle Street jeopardized Ford cars journeying around Honolulu.

Peter T. Young, Ho'okuleana LLC private planning and consulting firm President, angles Woods electric cars among earliest Hawaiian automobiles. His article, Carriage to Horseless Carriage, July 8, 2015, for his Image of Old Hawai'i site announces Woods electric cars as "The first autos that appeared on the streets of Honolulu."; The Hub NY image of "Automobile Illustrations: Woods' Motor Vehicles, Fisher Equipment Co., Chicago," Electric Show, Madison Square Garden, May 8-June 3, 1899 (The Hub, vol. XLI, no. 3 [June 1899], page 97: Public Domain, via Wikimedia Commons

Readers of the Evening Bulletin article “Schuman Opens Well-Equipped Automobile Shop” Saturday, March 25, 1905, knew Gustav Adolph Schuman (July 6, 1867-May 24, 1930) as Ford motorist.
Schuman linked owner-operated Schuman Carriage Company to cart- and wagon-selling in 1893 and horseless carriages after the World Exposition April 30, 1903 in St. Louis, Missouri. He mulled the single-cylinder 1904 model of the Pope-Tribune runabout of Colonel Albert Augustus Pope’s (May 20, 1843-Aug. 10, 1909) Pope Manufacturing Company of Hagerstown, Maryland. He nestled that Pope-Tribune model onto company property that year, after he navigated back from the Unitedstatesian mainland and then the first Ford the following year.
No accidents, no Blind Curves like on NCIS: Hawaii, no congestion occurred as January 1905 occasioned the first-ever Model T Ford horseless carriage ride through Honolulu.

Gustav Adolph Schuman (July 6, 1867-May 24, 1930) and Albert Augustus Pope (May 20, 1843-Aug. 10, 1909) respectively anticipated automobiles and bicycles appealing to affluent Hawaiian islanders and Unitedstatesians. One Pope-Turbine and 13 Fords respectively appeared at the Schuman Carriage Company in 1904 and 1905. Affluent Honoluluans applauded Ford automobiles over Locomobile, Pope and Woods marques. Pope Manufacturing Company respectively applied itself to automobile and motorcycle production until 1915 and 1918. Perhaps 21st-century Hawaiian islanders appreciate the Pope bicycles that ancestor the Columbia brand; Tuesday, Sep. 18, 2012, 10:52, image of "1904 Pope-Tribune 6hp American," National Motor Museum, Beaulieu, southeastern New Forest, southwestern Hampshire, western South East England: Karen Roe from Bury St Edmunds, Suffolk, UK, CC BY 2.0 Generic, via Wikimedia Commons

The Ford horseless carriage performance four times around Oahu island prompted Schuman purchasing 12 Ford cars for his new Schuman Carriage Company repair garage and showroom.
Merchant Street, between Fort Street and Nuuanu Avenue, quartered Schuman Carriage Company for carriage, cart, horseless carriage and wagon repairs and sales until late April 1905. Architect George Washington Percy ‘s (July 5, 1847-Dec. 14, 1900) Bishop Street building for Alexander Young (Dec. 14, 1833-July 2, 1910) reaped the Schuman Carriage showroom. Central Union Church sold Schuman Carriage the Beretania-Richards Street structure whose stained-glass windows showed (1929-1959) Hawaiian Fords that the Beretania-Piikoi Street intersection showroom (1959-2004) subsequently showcased.
No Schuman relatives to tend the 111-year-old business and its Hawaiian Fords, not Blind Curves like on NCIS: Hawai’i, terminated Schuman Carriage Company Nov. 27, 2004.

(upper left) NCIS Special Agents (center) Jesse Boone (Noah Mills) and (right) Kai Holmen (Alex Tarrant) with (left) suspect Solomon De La Cruz (Bobby Ramos); (upper right) Kai Holman (Alex Tarrant) and Special Agent-in-Charge Jane Tennant (Vanessa Lachey); (lower left) Special Agent Lucy Tara (Yasmine Al-Bustami); (lower right) NCIS cyber intelligence specialist Ernie Malik (Jason Antoon) in "Blind Curves," season 2 episode 2 of American police procedural television series NCIS: Hawai'i: NCIS: Hawai'i @NCISHawaiiCBS, via Twitter Sep. 26, 2022

Acknowledgment
My special thanks to talented artists and photographers/concerned organizations who make their fine images available on the internet.

Dedication
This post is dedicated to the memory of our beloved blue-eyed brother, Charles, who guided the creation of the Met Opera and Astronomy posts on Earth and Space News. We memorialized our brother in "Our Beloved Blue-Eyed Brother, Charles, With Whom We Are Well Pleased," published on Earth and Space News on Thursday, Nov. 18, 2021, an anniversary of our beloved father's death.

Image credits:
Gustav Adolph Schuman (July 6, 1867-May 24, 1930) added the first Hawaiian Fords to the automobiles already admired by affluent abiders of Honolulu, Oahu island, Hawaii state (from Hawaiian hono lulu, "bay sheltered"; o'ahu, "gathering place"; ha wai 'i, "breath life-force supreme"). He admired a Pope-Turbine, which he admitted into Honolulu after its airing at the World Exposition April 30, 1903 in St. Louis, Missouri. He nevertheless alerted Hawaiian islanders to Ford automobiles with one Ford January 1905 and 12 more by April 1905; Friday, Aug. 24, 2012, 15:50, image of "A 1903 Ford Model A on display at the Henry Ford Museum in Dearborn, Michigan (United States).": Michael Barera, CC BY SA 4.0 International, via Wikimedia Commons @ https://commons.wikimedia.org/wiki/File:Henry_Ford_Museum_August_2012_92_(1903_Ford_Model_A).jpg
Automobile and cultural histories align politician Henry Baldwin (Aug. 29, 1842-July 8, 1911) and businessman Edward Tenney (Jan. 26, 1859-April 29, 1934) with the first Hawaiian automobiles. The two latter amazed Honoluluans with the first Hawaii-domiciled Locomobile Sunday, Oct. 8, 1899; "'These well-known cars, product of America's foremost manufacturers, have adopted Firestones as standard or optional equipment', the July 3, 1920 Country Gentleman ad stated. None of the 40 cars on these 2 pages are made today," The Country Gentleman, vol. LXXXV, no. 27 (July 3, 1920), pages 28-29: Don O'Brien, CC BY 2.0 Generic, via Wikimedia Commons @ https://commons.wikimedia.org/wiki/File:1920_Firestone-equipped_Cars_(2).jpg; Don O'Brien (dok1), CC BY 2.0 Generic, via Flickr @ https://www.flickr.com/photos/51096110@N00/10446699376; Public Domain, via HathiTrust @ https://hdl.handle.net/2027/mdp.39015084520124?urlappend=%3Bseq=36%3Bownerid=13510798902025660-40; Public Domain, via HathiTrust @ https://babel.hathitrust.org/cgi/pt?id=mdp.39015084520124&view=2up&seq=36
Peter T. Young, Ho'okuleana LLC private planning and consulting firm President, angles Woods electric cars among earliest Hawaiian automobiles. His article, Carriage to Horseless Carriage, July 8, 2015, for his Image of Old Hawai'i site announces Woods electric cars as "The first autos that appeared on the streets of Honolulu."; The Hub NY image of "Automobile Illustrations: Woods' Motor Vehicles, Fisher Equipment Co., Chicago," Electric Show, Madison Square Garden, May 8-June 3, 1899 (The Hub, vol. XLI, no. 3 [June 1899], page 97: Public Domain, via Wikimedia Commons @ https://commons.wikimedia.org/wiki/File:Woods'_Motor_Electric_Vehicle_Exhibit_from_the_May_1899_Electric_Show_at_Madison_Square_Gardens.jpg; Public Domain, via HathiTrust @ https://hdl.handle.net/2027/mdp.39015084674657?urlappend=%3Bseq=270%3Bownerid=13510798902293275-288; Public Domain, via HathiTrust @ https://babel.hathitrust.org/cgi/pt?id=mdp.39015084674657&view=1up&seq=270&q1=woods%20electric; via Lost Ottawa @ https://lostottawa.ca/what-make-was-ottawas-first-car/
Gustav Adolph Schuman (July 6, 1867-May 24, 1930) and Albert Augustus Pope (May 20, 1843-Aug. 10, 1909) respectively anticipated automobiles and bicycles appealing to affluent Hawaiian islanders and Unitedstatesians. One Pope-Turbine and 13 Fords respectively appeared at the Schuman Carriage Company in 1904 and 1905. Affluent Honoluluans applauded Ford automobiles over Locomobile, Pope and Woods marques. Pope Manufacturing Company respectively applied itself to automobile and motorcycle production until 1915 and 1918. Perhaps 21st-century Hawaiian islanders appreciate the Pope bicycles that ancestor the Columbia brand; Tuesday, Sep. 18, 2012, 10:52, image of "1904 Pope-Tribune 6hp American," National Motor Museum, Beaulieu, southeastern New Forest, southwestern Hampshire, western South East England: Karen Roe from Bury St Edmunds, Suffolk, UK, CC BY 2.0 Generic, via Wikimedia Commons @ https://commons.wikimedia.org/wiki/File:Beaulieu_National_Motor_Museum_18-09-2012_(8542047278).jpg
(upper left) NCIS Special Agents (center) Jesse Boone (Noah Mills) and (right) Kai Holmen (Alex Tarrant) with (left) suspect Solomon De La Cruz (Bobby Ramos); (upper right) Kai Holman (Alex Tarrant) and Special Agent-in-Charge Jane Tennant (Vanessa Lachey); (lower left) Special Agent Lucy Tara (Yasmine Al-Bustami); (lower right) NCIS cyber intelligence specialist Ernie Malik (Jason Antoon) in "Blind Curves," season 2 episode 2 of American police procedural television series NCIS: Hawai'i: NCIS: Hawai'i @NCISHawaiiCBS, via Twitter Sep. 26, 2022, @ https://twitter.com/NCISHawaiiCBS/status/1574484895832969216

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